Authors, English -- Early modern, 1500-1700 -- Biography; Marvell, Andrew, 1621-1678
In a poem of 776 lines Marvell tells the story and describes the charms
of the house which Lord Fairfax built for himself during the war, and to
which, as just narrated, he retired in the summer of 1650. The story is
only too familiar a one, being writ large over many a fine property.
Appleton House was Church loot. In the time of Henry, "the majestic lord
that burst the bonds of Rome," the old house at Nunappleton was a
Cistercian nunnery, a religious house. In 1542 the community was
suppressed and its property appropriated by the great-grandfather of the
Lord-General--one Sir Thomas Fairfax. The religious buildings were
pulled down and a new secular house rose in their place. In these bare
and sordid facts there is not much room for poetry, but there is a story
thrown in. Shortly before 1518 a Yorkshire heiress, bearing the
unromantic name of Isabella Thwaites, was living in the Cistercian
abbey, under the guardianship of the abbess, the Lady Anna Langton.
Property under the care of the Church is always supposed to be in
danger, and the Lady Anna was freely credited with the desire to make a
nun of her ward, and so keep her broad acres in Wharfedale and her
messuages in York for the use of Mother Church. None the less, the young
lady was allowed to go about and visit her neighbours, and whilst so
doing she fell in love with Sir William Fairfax, or he fell in love with
her or with her estates. Thereupon, so the story proceeds, the abbess
kept her ward a close prisoner within the nunnery walls. Legal
proceedings were taken, but in the end the privacy of the nunnery was
invaded, and Miss Thwaites was abducted and married to Sir William
Fairfax at the church of Bolton Percy. The lady abbess had to submit to
_vis major_, but worse days were in front of her, for she lived on to
see the nunnery itself despoiled, and the fair domains she had during a
long life preserved and maintained for religious uses handed over to the
son of her former ward, Isabella Thwaites.
Our poet begins by referring to the modest dimensions of the house, and
the natural charms of its surroundings:--
"The house was built upon the place,
Only as for a mark of grace,
And for an inn to entertain
Its Lord awhile, but not remain.
Him Bishop's-hill or Denton may,
Or Billborow, better hold than they:
But Nature here hath been so free,
As if she said, 'Leave this to me.'
Art would more neatly have defac'd
What she had laid so sweetly waste
In fragrant gardens, shady woods,
Deep meadows, and transparent floods."
And then starts the story:--
Public-domain text, read in full here on John Shaqi.
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