Authors, English -- Early modern, 1500-1700 -- Biography; Marvell, Andrew, 1621-1678
Those virtues to us all so dear,
Will straight grow sanctity when here;
And that, once sprung, increase so fast,
Till miracles it work at last.'"
What reply was given by the heiress to these arguments, and others of a
still more seductive hue, the poet does not tell, but turns to the eager
lover who asks, What should he do? He hints that a nunnery is no place
for a virtuous maid, and that the nuns (unlike himself, I hope) are only
thinking of her property. He complains that though the Court has
authorised him to use either peace or force, the nuns still stand upon
their guard.
"Ill-counselled women, do you know
Whom you resist or what you do?"
Using a most remarkable poetic licence, the poet refers to the fact that
this barred-out lover is to be the progenitor of the great Lord Fairfax.
"Is not this he, whose offspring fierce
Shall fight through all the universe;
And with successive valour try
France, Poland, either Germany,
Till one, as long since prophesied,
His horse through conquered Britain ride?"
The lover determines to take the place by assault. It was not a very
heroic enterprise, as Marvell describes it.
"Some to the breach, against their foes,
Their wooden Saints in vain oppose;
Another bolder, stands at push,
With their old holy-water brush,
While the disjointed Abbess threads
The jingling chain-shot of her beads;
But their loud'st cannon were their lungs,
And sharpest weapons were their tongues.
But waving these aside like flies,
Young Fairfax through the wall does rise.
Then the unfrequented vault appeared,
And superstition, vainly feared;
The relicks false were set to view;
Only the jewels there were true,
And truly bright and holy Thwaites,
That weeping at the altar waits.
But the glad youth away her bears,
And to the Nuns bequeathes her tears,
Who guiltily their prize bemoan,
Like gypsies who a child have stol'n."
The poet then goes on to glorify the results of this union and to
describe happy days spent at Nunappleton by the descendants of Isabella
Thwaites.
Public-domain text, read in full here on John Shaqi.
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