Anecdotal Recollections of the Congress of ViennaLa Garde-Chambonas, Auguste Louis Charles, Comte de
History
Anecdotal Recollections of the Congress of Vienna
La Garde-Chambonas, Auguste Louis Charles, Comte de
Congress of Vienna (1814-1815)
The prince had spoken the truth. Vienna at that time presented an
abridged panorama of Europe, and the rout was an abridged panorama of
Vienna. There could be no more curious spectacle than those masked
or non-masked people, among whom, absolutely lost in the crowd, and
practically defying identification, circulated all the sovereigns at
that moment participating in the Congress.
The prince had a story or anecdote about each. ‘There goes Emperor
Alexander. The man on whose arm he is leaning is Prince Eugène
Beauharnais, for whom he has a sincere affection. When Eugène arrived
here with his father-in-law, the King of Bavaria, the Court hesitated
about the rank to be accorded to him. The emperor spoke so positively
on the subject as to secure for Eugène all the honours due to his
generous character. Alexander, as you are aware, is worthy of inspiring
and of extending the deepest friendship.
‘Do you know the tall and noble-looking personage whom that beautiful
Neapolitan girl is holding round the waist? It is the King of Prussia,
whose gravity appears in no wise disturbed by the fact. For all that
the clever mask may be an empress, on the other hand it is quite on the
cards that she is merely a grisette who has been smuggled in.
‘That colossus in the black domino, which neither disguises nor
decreases his stature, is the King of Würtemberg.[19] The man close
to him is his son, the Crown Prince. His love for the Duchesse
d’Oldenbourg, Emperor Alexander’s sister, is the cause of his stay at
the Congress, rather than a concern for the grave interests which one
day will be his. It is a romantic story, the _dénouement_ of which we
may witness before long.
‘The two young fellows who just brushed past us are the Crown Prince
of Bavaria and his brother, Prince Charles.[20] The latter’s face
would dispute the palm with that of Antinous. The crowd of people of
different kind and garb who are disporting themselves, in every sense
of the word, are, some, reigning princes, others archdukes, others
again grand dignitaries of this or that empire. For, except a few
Englishmen, easily picked out by their careful dress, I do not think
there is a single personage here without a “handle” to his name.
‘This room in particular only represents a picture of pleasure, my dear
boy....’
Public-domain text, read in full here on John Shaqi.
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