The _Recollections of the Congress of Vienna_ contains frequent references to the ‘superb Sophie,’ who was born in the Fanariote quarter in Constantinople, and whose singular career was solely owing to her beauty. She married in the first place the Comte de Witt (of the family of the Dutch Great State-Councillor, whose descendants had entered the service of Russia). The Comte de Witt enticed her away from a secretary of the French Embassy in Constantinople; Comte Félix Potocki, in his turn, eloped with her while she was Comtesse de Witt, and married her, thanks to an amicable arrangement nullifying the first marriage. Comtesse Sophie, celebrated throughout Europe--her loveliness had even compelled admiration from the Court circle at Versailles--lived on a regal footing on her estate of Tulczim, and dispensed her hospitality to the French _émigrés_ in a manner calculated to dazzle many of them. The _Mémoires_ of General Comte de Rochechouart and the present _Recollections_ are specially interesting on the subject. The success of the poem, ‘Sophiowka,’ was such as to gain for its adapter the honorary membership respectively of the Academies of Warsaw, Cracow, Munich, London, and Naples. The Comte de La Garde was to receive another flattering testimonial in Poland, many years later, on the occasion of the appearance of his poem on the ‘Funérailles de Kosciusko’ (Treuttel & Wurtz: Paris, 1830). Its several editions by no means exhausted its success; the senate of the republic of Cracow conferred upon him the Polish citizenship, while the kings of Bavaria, Prussia, and Saxony complimented him by autograph letters. La Garde was the author of a great number of songs; and the most renowned composers of the period competed for the honour of setting them to music. Many of these romances were dedicated to Queen Hortense, whose acquaintance he made at Augsburg in 1819. This led to his collaboration in ‘Loi d’Exil,’ and ‘Partant pour la Syrie’--the latter of which became the national hymn during the Second Empire. In 1853, there appeared _L’Album artistique de la Reine Hortense_, a much prized collection of the then unpublished songs of the Comte de La Garde, with their music by the queen, and charming reproductions of tiny paintings, which were also her work.[8] This was the last time the name of the Comte de La Garde appeared in print. A short time afterwards his wandering life came to an end in Paris, which during the latter years of his life he inhabited alternately with Angers. He had adopted as his motto: ‘My life is a battle’; he could have added, ‘and a never-ending journey’; for his constitutional restlessness prevented him from settling permanently, no matter where. He never married. The few documents he left behind, including some momentoes, represented the whole of his property, and went to his cousin, M. de La Garde, Marquis de Chambonas.