Correggio--Sketch of his Life, i, 243; his Cupola of the Church of St. John at Parma, i, 244; his grand Cupola of the Cathedral, i, 246; his Fate Exaggerated, i, 249; Lanzi's Opinion, i, 251; his Marriage and Children, i, 252; Caracci's Opinion of Correggio, and his Letter, i, 258; his Enthusiasm, i, 255; his Grace, i, 255; Correggio and the Monks, i, 256; his Kindness--his Muleteer, i, 256; Duke of Wellington's Correggio, i, 257; Correggio's Ancona, i, 257; Portraits of Correggio, i, 258; did Correggio ever visit Rome? i, 259; Singular History of Correggio's Adoration of the Shepherds, i, 261; of his Education of Cupid, i, 262; of a Magdalen, i, 264; of a Charity, i, 265; the celebrated Notte of Correggio, iii, 259. Cortona, Pietro--Sketch of his Life, iii, 253; Anecdotes of, iii, 254. David, Jacques Louis, i, 176; his Politics and Love of Liberty, i, 176; David and Napoleon, i, 177; his Banishment to Brussels, i, 177; his famous picture of the Coronation of Napoleon, i, 178; David and Canova, i, 179; Napoleon's Compliments to David, i, 180; the King of Wurtemberg's, i, 181; List of Portraits it contained, i, 182; its Barbarous Destruction by the Bourbons, i, 184; David and the Duke of Wellington at Brussels, i, 184; David and the Cardinal Caprara, i, 185; Talma and David in his Banishment, 1, 186. Denon, the Baron--his description of the Necropolis of Thebes, iii, 16, his Employment by Napoleon, iii, 802. Digby, Sir Kenelm--his Love Adventure in Spain, iii, 199. Dinocrates--his Proposal to cut Mount Athos into a Statue of Alexander the Great, ii, 165; Pope's Idea of its Practicability, ii, 166; Dinocrates' Temple with an Iron Statue suspended in the air by Loadstone, ii, 168. Domenichino, ii, 121; his Dullness in his Youth, ii, 121; Caracci's prediction of his rise to Eminence, ii, 122; Lanzi and Mengs' Testimony of his Genius and Merits, ii, 123; his Scourging of St. Andrew, ii, 123; his Communion of St. Jerome, ii, 124; his Enemies at Rome, ii, 125; Lanzi's Account of the Decision of Posterity on his Merits, ii, 126; his Caricatures, ii, 128; Intrigues of the Neapolitan Triumvirate of Painters, ii, 128; Lanzi's Account of this disgraceful Cabal, ii, 129; his Works in the Chapel of St Januarius, and the Prices he received, ii, 131; his Death, ii, 132. Donatello, iii, 125; Donatello and the Merchant, iii, 126; Donatello and his unworthy Kinsmen, iii, 127; his Death, iii, 128; Donatello and Michael Angelo Compared, iii, 128; Donatello and Brunelleschi, iii, 123; Donatello and Uccello, ii, 292. Douw, Gerard, iii, 222; his Style, iii, 224; his Method of Painting, iii, 225; his Works, iii, 226; his Dropsical Woman, iii, 227. Dramatic Scenery at Rome, i, 93.