Durer, Albert, iii, 228; his unfortunate Marriage, iii, 229; his Works as a Painter, iii, 229; his Works as an Engraver, iii, 231; his Fame and Death, iii, 233; his Habits, iii, 234; his Literary Works, iii, 234. Egyptian Art, iii, 1, and iii, 263. Electioneering Pictures at Rome, i, 91. Emulation and Rivalry of Advantage to Artists, iii, 257. Engraving, Invention of Copper-Plate, i, 287. Era, Brightest, of Grecian Art, i, 11, and ii, 154. Era, Brightest, of Roman Art, ii, 152. Era, Brightest, of Italian Art, ii, 149. Eyck, John van--his Invention of Oil Painting, ii, 141. Fabius Maximus--his Estimation of Art, i, 145. Fanaticism, Religious, destructive to Art, i, 105; its Effects in England, i, 105. Figure, the Nude, i, 109; Barry's Opinion, i, 109; Schlegel's, i, 110. Fine Arts, Golden Age of, in Greece, i, 11. Fine Arts, Golden Age of, in Rome, ii, 152 Fine Arts, Golden Age of, In Italy, ii, 149. Finiguerra, Maso--his Invention of Copper-Plate Engraving, i, 287. Fiorentino, Stefano, one of the Fathers of Painting, ii, 286. Foreshortening, ii, 145; its Invention, ii, 145. Fontana, Domenico, iii, 33; his Removal of an Obelisk at Rome, iii, 34; Dangers he Encountered, iii, 37; Honors bestowed on him for his Success, iii, 40. Force of Habit, i, 202. Fornarina, La Bella, i, 75. Fountain, the Elephant, iii, 286. "Four Carlos of the 17th Century," ii, 184. "Four Finest Pictures at Rome," ii, 183 Frescos, Ancient, ii, 55; the Aldobrandini Wedding, ii, 56.