Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art (Vol. 3 of 3)Spooner, Shearjashub
History
Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art (Vol. 3 of 3)
Spooner, Shearjashub
Art -- Anecdotes; Artists -- Anecdotes
"Fontana was now convinced that the ropes were better than iron bands,
these being most broken or distorted, or expanded by the weight. On the
7th of May the pyramid was placed on the sledge--a more difficult and
tedious operation than that of raising it, it being necessary to convey
it over the piazza to the situation intended for it, which was 115 rods
from where it then stood. The level of the piazza being about 30 feet
lower, it was necessary to throw up an earthen embankment from one place
to the other, well secured by piles, &c. This being done, on the 13th
of June, by means of four windlasses, the pyramid was removed with the
greatest facility on the rollers, to the place of its destination. The
pope deferred its erection to the next autumn, lest the summer heats
should injure the workmen and spectators.
"In the meantime the pedestal, which was interred 30 feet, was removed:
it was composed of two parts, the ogee and basement being of the same
mass, and the plinth of white marble. All the preparations were made for
this last operation on the 10th of September, with the same solemnities;
140 horses and 800 men were employed. The pope selected this day for the
solemn entrance of the duke of Luxembourg, ambassador of ceremony from
Henry III. of France, and caused the procession to enter by the Porta
Angelica, instead of the Porta del Popolo. When this nobleman crossed
the Piazza of St. Peter's, he stopped to observe the concourse of
workmen in the midst of a forest of machines, and saw, admiring, Rome
rising again by the hand of Sixtus V. In fifty-two movements the pyramid
was raised, and at the setting of the sun it was placed firm upon its
pedestal. The castle disappeared, and the artificers, intoxicated with
joy, carried Fontana on their shoulders in triumph to his own house,
amidst the sound of drums and trumpets, and the plaudits of an immense
crowd.
"In placing it upright on the pedestal, Fontana considered the method
adopted by the ancients as the least difficult; which was to rest one
end on two globes, then draw the point round, raising it at the same
time, afterwards letting it fall perpendicularly on the pedestal. It is
conjectured that this was the practice adopted by the ancients, because
two dies alone were always covered with lead for a foot or more, and
were moreover crushed at the extremities. Sixtus V. placed a cross 7
feet high at the top of the obelisk, which was carried in procession,
and which made the whole height 132 feet.
"For this undertaking, Fontana was created a knight of the Golden Spur,
and a Roman nobleman; he had a pension of 2000 crowns, transferable to
his heirs, ten knighthoods, 5000 crowns of gold in ready money, and
every description of material used in the work, which was valued at more
than 20,000 crowns. Two bronze medals of him were struck; and the
following inscription was placed on the base of the pyramid by order of
the pope:--"
Public-domain text, read in full here on John Shaqi.
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