Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art (Vol. 1 of 3)Spooner, Shearjashub
History
Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art (Vol. 1 of 3)
Spooner, Shearjashub
Art -- Anecdotes; Artists -- Anecdotes
The advantages which a country derives from the cultivation of the fine
arts, are thus admirably summed up by Sir M. A. Shee, late President of
the Royal Academy, London:--
“It should be the policy of a great nation to be liberal and
magnificent; to be free of her rewards, splendid in her establishments,
and gorgeous in her public works. These are not the expenses that sap
and mine the foundations of public prosperity, that break in upon the
capital, or lay waste the income of a state; they may be said to arise
in her most enlightened views of general advantage; to be amongst her
best and most profitable speculations; they produce large sums of
respect and consideration from our neighbors and competitors, and of
patriotic exultation among ourselves; they make men proud of their
country, and from priding it, prompt in its defense; they play upon all
the chords of generous feeling, elevate us above the animal and the
machine, and make us triumph in the powers and attributes of men.”
Sir George Beaumont, in a letter to Lord Dover, on the subject of the
purchase of the Angerstein collection by the government, speaking of the
benefit which a country derives from the possession of the best works of
art, says, “My belief is that the Apollo, the Venus, the Laocoön, &c.,
are worth many thousands a year to the country that possesses them.”
When Parliament was debating the propriety of buying the Angerstein
Collection for £60,000, he advocated the measure with enthusiasm, and
exclaimed, “Buy this collection of pictures for the nation, and I will
give you mine.” And this he nobly did, not in the form of a bequest, but
he transferred them at once as soon as the galleries were prepared for
their reception, with the exception of one little gem, with him a
household god, which he retained till his death. This picture was a
landscape by Claude, with figures representing Hagar and her child, and
he was so much attached to it that he took it with him as a constant
traveling companion. When he died, it was sent to its place in the
Gallery. The value of this collection was 70,000 guineas. Such instances
of noble generosity for public benefaction, deserve to be held in
grateful remembrance, and should be “written in letters of gold on
enduring marble,” for the imitation of mankind.
Public-domain text, read in full here on John Shaqi.
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