Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art (Vol. 1 of 3) — John Shaqi
Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art (Vol. 1 of 3)Spooner, Shearjashub
History
Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art (Vol. 1 of 3)
Spooner, Shearjashub
Art -- Anecdotes; Artists -- Anecdotes
The excitement to which West was subjected at Rome, his intense
application, and his anxiety to distinguish himself, brought on a fever,
and for a time, interrupted his studies; by the advice of his
physicians, he returned to Leghorn, for the benefit of the sea air,
where, after a lingering sickness of eleven months, he was completely
cured. But he found his funds almost exhausted, and he began to despair
of being able to prosecute his studies according to the proposed plan.
He called on his agents, to take up the last ten pounds he had in the
world, when to his astonishment and joy, he was handed a letter of
unlimited credit from his old friends in Philadelphia, Mr. Allen and
Governor Hamilton; they had heard of his glorious reception at Rome, and
his success with the portrait of Lord Grantham. At a dinner, one day,
with Governor Hamilton, Mr Allen said, “I regard this young man as an
honor to his country, and as he is the first that America has sent out
to cultivate the Fine Arts, he shall not be frustrated in his studies,
for I shall send him whatever money he may require.” “I think with you,
sir,” replied Hamilton, “but you must not have all the honor to
yourself; allow me to unite with you in the responsibility of the
credit.” Those who befriend genius when it is struggling for
distinction, are public benefactors, and their names should be held in
grateful remembrance. The names of Hamilton, Allen, Smith, Kelly,
Jackson, Rutherford, and Lord Grantham, must be dear to all the admirers
of West; they aided him in the infancy of his fame and fortune, cheered
him when he was drooping and desponding; and watched over his person and
purse with the vigilance of true friendship. West always expressed his
deepest obligation to these generous men, and it was at his particular
request that Galt recorded their names, and their deeds.
WEST’S COURSE OF STUDY.
West now proceeded with redoubled alacrity, to execute the plan
recommended by Mengs. He visited Florence, Bologna, Parma, and Venice,
and diligently examined everything worth studying. He everywhere
received marks of attention, and was elected a member of the Academies
of Florence, Bologna, and Parma. In the latter city, he painted and
presented to the Academy, a copy of the famous St. Jerome by Correggio,
“of such excellence,” says Galt, “that the reigning prince desired to
see the artist. He went to court, and to the utter astonishment of the
attendants, appeared with his hat on. The prince was familiar with the
tenets of the Quakers, and was a lover of William Penn; he received the
young artist with complacency, and dismissed him with many expressions
of regard.” West returned to Rome, where he painted two pictures which
were highly commended, one of Cimon and Iphigenia, and the other of
Angelica and Medora. At Venice, he particularly studied the works of
Titian, and Cunningham says, “he imagined he had discovered his
principles of coloring.”
A REMARKABLE PROPHECY.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account