Of Pope as a writer he had the highest opinion, and once when a lady at our house talked of his preface to Shakespeare as superior to Pope's, "I fear not, madam," said he, "the little fellow has done wonders." His superior reverence of Dryden, notwithstanding, still appeared in his talk as in his writings; and when some one mentioned the ridicule thrown on him in the 'Rehearsal,' as having hurt his general character as an author, "On the contrary," says Mr. Johnson, "the greatness of Dryden's reputation is now the only principle of vitality which keeps the Duke of Buckingham's play from putrefaction." It was not very easy, however, for people not quite intimate with Dr. Johnson to get exactly his opinion of a writer's merit, as he would now and then divert himself by confounding those who thought themselves obliged to say to-morrow what he had said yesterday; and even Garrick, who ought to have been better acquainted with his tricks, professed himself mortified that one time when he was extolling Dryden in a rapture that I suppose disgusted his friend, Mr. Johnson suddenly challenged him to produce twenty lines in a series that would not disgrace the poet and his admirer. Garrick produced a passage that he had once heard the Doctor commend, in which he _now_ found, if I remember rightly, sixteen faults, and made Garrick look silly at his own table. When I told Mr. Johnson the story, "Why, what a monkey was David now," says he, "to tell of his own disgrace!" And in the course of that hour's chat he told me how he used to tease Garrick by commendations of the tomb-scene in Congreve's 'Mourning Bride,' protesting, that Shakespeare had in the same line of excellence nothing as good. "All which is strictly _true_," said he; "but that is no reason for supposing Congreve is to stand in competition with Shakespeare: these fellows know not how to blame, nor how to commend." I forced him one day, in a similar humour, to prefer Young's description of "Night" to the so much admired ones of Dryden and Shakespeare, as more forcible and more general. Every reader is not either a lover or a tyrant, but every reader is interested when he hears that "Creation sleeps; 'tis as the general pulse Of life stood still, and nature made a pause; An awful pause--prophetic of its end." "This," said he, "is true; but remember that, taking the compositions of Young in general, they are but like bright stepping-stones over a miry road. Young froths and foams, and bubbles sometimes very vigorously; but we must not compare the noise made by your tea-kettle here with the roaring of the ocean."