Anecdotes of the Manners and Customs of London during the Eighteenth Century; Vol. 2 (of 2): Including the Charities, Depravities, Dresses, and Amusements etc.Malcolm, James Peller
History
Anecdotes of the Manners and Customs of London during the Eighteenth Century; Vol. 2 (of 2): Including the Charities, Depravities, Dresses, and Amusements etc.
Malcolm, James Peller
London (England) -- Social life and customs -- 18th century
The Prince of Wales soon after presented this favourite singer with a
richly wrought gold snuff-box set with rubies and diamonds, containing
a pair of diamond knee-buckles, and a purse of 100 guineas.
A great deal was written for and against Theatrical amusements in 1735,
when the Legislature intended to prevent an increase of Theatres, yet
but little information can be obtained from those essays; indeed the
matter of fact may almost be said to be confined to the statements in
the following extract from the Universal Spectator, No. 340: "What
will ensue from _new_ play-houses being erected may be seen by that
at Goodman's-fields: the street where it is built used formerly to
be inhabited by silk-throwsters, ribband-weavers, and others whose
trades employed the industrious poor; immediately on setting up this
Playhouse, the rents of the houses were raised, as the landlords could
then let them to more _profitable_ tenants; and now there is a bunch
of grapes hanging almost at every door; besides an adjacent Bagnio or
two; an undoubted proof that innocence and morality are not the certain
consequences of a Playhouse. I could urge this much farther; but, as
the regulation of the number of Theatres is now before the Parliament,
_they_ only are to determine whether the continuance of this Theatre,
or the increase of others, are consistent with the public good. Since
the above was written, I have received information that a great number
of apprentices and _gentlemen_, who play for their diversion, have
formed a new company at York-buildings, which shews the necessity for
the number of players and playhouses to be regulated, or else the whole
nation may degenerate into a set of Stage-players."
A shocking accident occurred during the representation of Dr.
Faustus at Covent-garden Theatre in October 1736. Four servants, the
_representatives_ of Lun, Nivelon, Salway, and Mrs. Moreau, in the
characters of harlequin, the miller, his wife, and man, had entered
a car which was to be supposed to convey them an aërial journey; but
unfortunately the wires broke when the machine had elevated the people
to the greatest height intended, whence they were precipitated on the
stage. Harlequin had his head bruised and wrist strained, the miller's
arm was broken, his man had his scull fractured, and died a few days
after, and the poor woman had a thigh broken and knee-pan shattered.
Public-domain text, read in full here on John Shaqi.
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