Anecdotes of the Manners and Customs of London during the Eighteenth Century; Vol. 2 (of 2): Including the Charities, Depravities, Dresses, and Amusements etc.Malcolm, James Peller
History
Anecdotes of the Manners and Customs of London during the Eighteenth Century; Vol. 2 (of 2): Including the Charities, Depravities, Dresses, and Amusements etc.
Malcolm, James Peller
London (England) -- Social life and customs -- 18th century
"SAMUEL FOOTE."
Mr. Garrick, whose unrivalled powers as an actor have ever been the
theme of applause and admiration, retired from the Stage in June 1776,
when in full possession of his extraordinary faculties, after disposing
of his share and patent of Drury-lane Theatre to Messrs. Ford, Ewart,
Sheridan, and Linley, for 35,000_l._
The property of the Theatre in the Haymarket was transferred from
Mr. Foote to Mr. Colman in the following year, and has remained in
that gentleman's and his son's possession till very lately. It will
be sufficient to observe of this place of amusement, that it is too
confined for a _Summer_ Theatre, and to accommodate the crowds which
attend it, attracted by the best old plays, many excellent new ones,
and good performers selected from the Winter and Provincial Theatres.
The reader who recollects my previous notices of the enlargement of
Drury-lane Theatre will perceive, from those and the subsequent, how
rapidly population and the admiration of theatrical amusements have
increased. Mr. Harris, proprietor of Covent-garden Playhouse, found
it necessary in 1782 to raise the roof eight feet, and make other
alterations, to benefit himself, and accommodate the publick. It was
then that the Theatre was adorned with those genuine ornaments in the
Grecian style, which have lately given place to I know not what strange
substitutes of painted deal boards.
Mr. Kemble, the present Roscius of the British Stage, made his first
appearance in 1784; but his accomplished and unrivalled sister had
astonished and delighted the publick in the previous year. The _two_
Thalias, Farren and Jordan, were contemporaries with the celebrated
tragedians; but the former is now a Countess, and the latter I had
_almost_ said a Princess, though still the object of rapturous
approbation on the Stage.
Public-domain text, read in full here on John Shaqi.
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