Anecdotes of the Manners and Customs of London during the Eighteenth Century; Vol. 2 (of 2): Including the Charities, Depravities, Dresses, and Amusements etc.Malcolm, James Peller
History
Anecdotes of the Manners and Customs of London during the Eighteenth Century; Vol. 2 (of 2): Including the Charities, Depravities, Dresses, and Amusements etc.
Malcolm, James Peller
London (England) -- Social life and customs -- 18th century
The year 1785 produced the agitation of a singular problem, which
has never yet been solved. While an actor of abilities performs upon
the two Stages of Drury-lane and Covent-garden under the patents of
the proprietors of those Theatres (as I have before observed), the
courtesy of the world, or their own pretensions, dignifies them with
the appellations of Gentlemen and even Esquires; but let the same men
only step on the stage of a theatre opened without a patent or licence,
and he instantly becomes a rogue and vagabond. At the time alluded
to, the late Mr. Palmer, an excellent comedian, supported by a large
subscription, determined to erect a new Theatre near Wellclose-square
for the performance of plays, as at the established houses, without
having first obtained a patent or licence; and, however astonishing it
may appear, he actually completed the house, and obtained several of
the higher rank of performers from the two Theatres. The event might
have been anticipated: when every thing was in readiness to receive
the publick, Palmer became a _rogue and vagabond_; and as such the
persons engaged deserted his _company_. He struggled, remonstrated,
and at length went to prison. Since that period the Theatre at
Wellclose-square remains a _memento_ of rashness and folly, used only
at intervals through the indulgence of the Magistracy, by Astley and
others, for the representation of dances, burlettas, serious ballets,
and pantomimes.
A most extraordinary occurrence in the affairs of the Stage marked the
year 1789; which was Mr. Macklin's _attempt_ to perform the character
of Shylock at the age of _ninety_.
The Theatre of Drury-lane was generally supposed at that time to have
arrived at a period of decay, which rendered the safety of a crowded
audience at least problematical. The proprietors therefore determined
to rebuild it on an enlarged and magnificent plan; and for this
purpose they hired the new Opera-house in the Haymarket for theatrical
performances in 1791, while their own Theatre was in progress; and an
advance in the prices of admission of 6_d._ in the pit and 1_s._ in
the boxes took place, as it was said, to reimburse the extraordinary
expences of the measure.
The following account of the operations attending the re-building
appeared in one of the public papers of the time.
"One of the corner-stones of the new Drury-lane Theatre was laid on
Tuesday September 4, 1792, and, as usual, some coins of the present day
were deposited under it. The principal foundation stone will be laid in
a few days, and it is said that a grand procession will appear at the
ceremony of it.
"The articles which follow concerning this Theatre, we can vouch for
being correct: and the curious, as well as those who are theatrically
inclined, will be glad to read them.
Public-domain text, read in full here on John Shaqi.
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