This consummate criminal, after dealing so widely and to an enormous amount, fell a sacrifice to a paltry theft of a little lace stolen from a window on Holborn-hill, when Wild's usual foresight so far deserted him as to enable the person he employed while he waited on the Bridge to turn evidence against him. His execution attracted the greatest concourse of spectators ever known to have assembled on a similar occasion; and an incredible number of thieves of every description attended, to wreak their vengeance on their general enemy. They shouted incessantly with frantic yells of joy, and threw stones at the miserable man as he rode, till his head streamed with blood; but, when he fell from the cart, the air was literally rent by reiterated cries of triumph. Wild had endeavoured to commit suicide; but the dose of laudanum intended for the purpose, proving too great, his stomach rejected it in time to save his life. It, however, rendered him nearly insensible, and consequently prevented the anguish he must have experienced in his last moments from the conduct of his enemies and the brutality of the populace. Several prosecutions were instituted in 1725, in order to prevent a shamefully indecent practice of the populace, which was the storming of hearses and tearing from them the various heraldic ornaments used at funerals. A dissolute young man named Gibson, a Mercer, and one of the Society of friends, occasioned very serious riots in the summer of 1727 by persisting to preach in defiance of the elders of Gracechurch street meeting, and indeed of the whole posse of the Police, who were more than once compelled to convey him by force to St. George's fields, where he was permitted to hold forth unmolested. Gibson had a mob constantly surrounding him, which committed many extravagances. He afterwards rented the London Assurance Coffee-house in Birchin-lane, before which he erected a sign representing a person extended on his back with the head bloody and a hat and wig near him. Several persons supposed to have committed the assault were shewn hiding under bushes. In another part of the design, the wounded person waded through a marsh supported by crutches, and a friend assisted him towards a house on a hill. The other side represented him lying on his face, and again washing blood and tears from his features; a rising moon in each painting lighted the scene, under which was inscribed "Gibson from Gracechurch-street."--The aim of Gibson in this allegory was to introduce himself to the publick in a pitiable situation, to shew the Quakers in a disgraceful light as assassins, and to compliment the friend by whom he was placed in his new house.