Angel: A sketch in Indian inkCroker, B. M. (Bithia Mary)
History
Angel: A sketch in Indian ink
Croker, B. M. (Bithia Mary)
British -- India -- Fiction; India -- History -- British occupation, 1765-1947 -- Fiction
Yes, it was all very well, he said to himself, as he mechanically
folded up the letter, but why should an injurious influence be exerted
over this fresh young life? Angel, although such an old, worldly-wise
child of nine, was, thanks to Miss Morton, and a curious twist in her
own character, as simple as nine, at the age of nineteen, simple-minded
and sincere, for all her gay flirtations and her physical sorceries.
Yet this letter was the key to his difficulties. If Angel returned home
to her grandmother, the Lady Augusta Gascoigne, who dared lift up a
voice against her?—and he was free! He looked at the girl's profile
against the crimson sunset, and asked himself, Was he free? Had he not,
like all her acquaintance, fallen under the spell of this charming,
bewitching, destroying Angel? What was she thinking about as she sat
motionless, her face turned fixedly towards the West—that she would
return to the West once more? No, no, no. He would never suffer her to
pass into Lady Augusta's hands again.
Suddenly the impulse came upon him there and then—he determined to
speak.
"What do you say?" she asked. "Have you anything to suggest—any
alternative?" and her eyes were full of frank earnestness.
"Yes," he replied, "that you remain out here."
"How? Do you mean with Mrs. Gordon?—what an awful incubus for
her—always."
"No—Angel——" and, as he spoke, he took off his cap and twisted it
in his hands, and stood before her bare-headed. "But as—_my wife_."
"Wife," she repeated, and a flood of colour rushed into her face. "Of
course, this is a joke," she exclaimed, rising and speaking with a
firm, almost passionate dignity.
"No—you and I are old friends, Angel—I—see—I've rather startled
you—but I've been considering this question for some time. I'm
seventeen years older than you are—I'm not the sort of lover—or
husband you might naturally expect—but I'll do—my very best to make
you happy."
All the time he was speaking Angel looked at him steadily, her colour
had faded, she now was white to her lips. As he concluded, she cast
down her eyes, and seemed to address the stones at her feet, as she
whispered in a strange, subdued voice: "Why do you say all this? You
don't love me, cousin Philip—and I—look for so much love—because
I've had so little." Then raising her eyes by a strenuous act of will,
and speaking in a firmer tone, she continued:
"You think I am a foolish, impulsive schoolgirl—you wish to give me a
home, but grandmamma offers me the same—a home, and to make me happy."
"I believe I can do better than your grandmother."
"And that would not be saying much, would it?" she retorted. "I
gathered from the way people looked, and hinted—you know I was always
clever at finding things out—that it was very wrong of me to have
rushed headlong to India. I placed you in a dilemma—you were quite at
your wits' end to know how to dispose of your white elephant—and now,
you are asking me to marry you—and thus settle the difficulty."
Public-domain text, read in full here on John Shaqi.
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