Angel: A sketch in Indian inkCroker, B. M. (Bithia Mary)
History
Angel: A sketch in Indian ink
Croker, B. M. (Bithia Mary)
British -- India -- Fiction; India -- History -- British occupation, 1765-1947 -- Fiction
Mrs. Waldershare returned each winter to the Riviera as punctually as
a swallow, ostensibly in search of health, but in reality to gamble
continuously, extravagantly, and recklessly. She lost enormous sums;
her husband's pride now changed to alarm. The husband of the lovely
Mrs. Waldershare, who was winning to the envy and admiration of her
neighbours, was a different being to the man who had to disburse
staggering sums almost daily. Lola promised to give up gambling, and
never to touch a card or back a number. Her promises were invariably
broken—nothing would or could keep her away from the scene of her
gains and losses. She owed huge bills in London and Paris; the money
to pay these she had flung into the great gulf—she, whose luck was
astonishing, was now secretly selling her jewels—and wearing paste.
Mrs. Waldershare was again at Monte Carlo the year her husband died;
her fascinations were irresistible. A beautiful woman, thirty years his
junior, sweet, seductive, persuasive, her stolid elderly partner could
not withstand her. He was suddenly called away to Paris, on urgent
business, leaving Lola and her maid and many acquaintances at the Hotel
de Paris, but before he departed he extracted a solemn promise from
his wife that during his absence she would not enter the rooms, and
this promise she vowed to keep. The first day she went over to Nice,
the second day was wet, and seemingly endless, the third day something
drew her into the Casino in spite of herself. The talk of her friends,
of runs of colour, of great "coups," was too much for her miserable
little will; something, she afterwards declared, dragged her forcibly
into the Salle de Jeux. She went with a party, merely in order to
look on, but in twenty minutes' time, she was seated at the "trente et
quarante" with a card a pin, and a pile of gold in front of her. She
won—she won again the following day, and then she lost—lost—lost all
the money—lost her self-control—lost her head. She borrowed until she
could borrow no longer; in the frenzy of gambling, she drew a cheque
for a thousand pounds and signed it "Reuben Waldershare." All moral
sense expired, as she blotted the clever imitation of her husband's
signature. This money followed her other losses in one short day, and
then Lola was indeed desperate. She went at sundown and walked round
Monaco, and gazed thoughtfully over the wall at a spot which other
despairing eyes have measured, where there is a sheer precipice, lapped
by the blue-green Mediterranean.
No, no—looking down always made her sick and giddy, she could _not_ do
it. Life was sweet. Reuben would certainly forgive her—after all, what
was his, was hers.
Public-domain text, read in full here on John Shaqi.
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