Angel: A sketch in Indian inkCroker, B. M. (Bithia Mary)
History
Angel: A sketch in Indian ink
Croker, B. M. (Bithia Mary)
British -- India -- Fiction; India -- History -- British occupation, 1765-1947 -- Fiction
"Oh, no, Philip is never jealous, you know that—if the worst came to
the worst, I'd tell him." Mrs. Gordon sat up and gasped. "Yes, I would,
Elinor, and I warn you beforehand. But I hope there is no question of
that. I will meet Mr. Lindsay to-morrow, give him your message, and
tell him that he must go home, that if he stayed here for years he
would not see you, or hear from you again. I shall be firm. There," and
she kissed her companion's hand, "I must go."
The following afternoon Colonel Gascoigne returned home early, in order
to take Angel for a ride; she looked wan and spiritless, like a flower
that was drooping. He blamed himself for leaving her in that great
empty bungalow; was it fair to her, to give up so much time to work,
and leave her alone?
And there was something on her mind—what?
"Could it be—Alan Lindsay?" he asked himself; and a voice answered,
"No; you deserve to be shot for the suspicion. Angel is not that sort."
No, retorted the little devil Jealousy; but most young women are "that
sort," when thrown for two months into the daily intimate, picturesque
society of one of the most well-endowed and irresistible of men. With
these voices still clamouring in his mental ears, he arrived at home,
and was informed that "the Mem Sahib had gone out in the cart, and
taken John Sahib and Sam Sahib towards the polo;" and he turned his
horse, and rode off in that direction. Angel was not at the polo, but
Mrs. Waldershare was there. She beckoned him gaily to her victoria, in
which sat two men, whilst a third worshipped upon the step.
"Where are you going to, Philip?" she inquired, with an air of playful
authority.
"Only for a ride. Have you seen Angel?"
"Your good Angel—oh, yes. She drove away just now with such a
nice-looking man! They went up the road towards the old palace. You
don't mean to say you are going _too_?" and Lola gave a wicked little
laugh; but Philip affected not to hear, and cantered off.
The palace was now used as a picture-gallery, it contained portraits of
many rajahs and nawabs, and stood in a beautiful garden. It lay beyond
the bazaars, about two miles from the polo. As Gascoigne rode along,
his head was in a whirl, the hot blood was thumping in his heart. What
did he mean to do? He could not say. He brought his horse to a walk,
and made an effort to control his rage, and endeavoured to analyse
his own sensations. What ailed him? Was this jealousy, or merely bad
temper? As he came in sight of the gates, he descried the portly figure
of John, just crossing the drive in chase of a squirrel. Yes, John had
betrayed the whereabouts of his mistress, and there, by the palace
entrance, stood her cart, pony, and syce. Meanwhile Angel had seen Alan
Lindsay at the polo, and carelessly offered him a seat. As he accepted
it with alacrity, she said:
"I have a message for you—several messages."
"Then don't deliver them here, for God's sake. Drive a bit up the road,
where we can talk face to face."
Public-domain text, read in full here on John Shaqi.
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