Angel: A sketch in Indian inkCroker, B. M. (Bithia Mary)
History
Angel: A sketch in Indian ink
Croker, B. M. (Bithia Mary)
British -- India -- Fiction; India -- History -- British occupation, 1765-1947 -- Fiction
"I have not much time. I sew a good deal for mother, and there are
lessons, and going out walking with those children to the club gardens
twice a day," and she gave a little impatient sigh. Gascoigne looked
down at the small figure perched beside him, with pitying eyes, and
thought of her dreary, colourless life.
"I'm reading a book now," she announced complacently.
"And what is it called?"
"The Mysteries of Paris."
"The _what_?"
"The Mysteries of Paris," raising her thin voice. "I heard Mrs. Du
Grand telling mother it was thrilling—and so wicked. She rooted it out
of the old stock in the Library."
"It's not fit for you to read."
"Have _you_ read it?" she asked sharply.
"No, and don't want to. Does your mother allow you to read such stuff?"
"Mother does not know—she would not mind."
"I'm certain she would—it's a bad—I mean a grown-up book, and not fit
for you."
"I've only read as far as two chapters—and it's so stupid."
"Then mind you don't read more, Angel, nor any grown-up books, if you
would like to please _me_. Hullo, sit tight," he added quickly, as a
white bullock suddenly rose from beside a shrine, starting Sally out
of her wits. She made a violent spring across the road—a spring that
tested every buckle in her harness—and nearly capsized the cart. Then
she broke away into a frantic gallop, with the trap rocking at her
heels.
"No fear, Angel; you hold on to me," said Gascoigne.
"But I'm not afraid," rejoined a bold, clear voice. "I'm never afraid
when I'm with you, Philip."
"It's all right," he said presently, as Sally's racing pace slackened
and she gradually came back to her bit. "Sally is a coward; she thought
she saw a ghost."
"Yes; and it was only an old bullock," scoffed the child. "But, cousin
Phil, there _are_ real ghosts, you know."
"Where?"
"Oh," spreading out her hands, "everywhere, all over the world—in the
station—yes, and in your bungalow."
"My poor, simple Angel! Who has been cramming you with this rot?"
"The servants," she promptly replied; "and I've heard other people
talking. The cook's brother is your bearer, and yet, he would not go
into your compound after dark if you gave him one hundred rupees."
"Then he is a foolish man," pronounced Gascoigne; "not that I am likely
to offer him his price."
"They say," resumed the child, "where you keep your boxes and polo
sticks used to be the dining-room, and that servants in queer old
liveries can still be seen there."
"Then I wish to goodness they'd clean up my saddles whilst they wait.
And is that all?"
"No; an officer in uniform, a strange uniform not worn now, comes
running in with a drawn sword, and chases a pretty lady from room to
room. She wears a white muslin dress, and black satin shoes. He kills
her in the front verandah—and her screams are awful."
"Dear me, Angel, what a blood-curdling tragedy! but you don't mean to
say you believe it?"
Public-domain text, read in full here on John Shaqi.
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