Angel: A sketch in Indian inkCroker, B. M. (Bithia Mary)
History
Angel: A sketch in Indian ink
Croker, B. M. (Bithia Mary)
British -- India -- Fiction; India -- History -- British occupation, 1765-1947 -- Fiction
Just at present this celebrity, her eldest born, and her faithful
dirzee were labouring hard in order to maintain this far-reaching
reputation. The scene in which they slaved was no bad imitation
of the workroom of some smart dressmaker. Chairs were piled with
materials, the matting was littered with scraps of lace, muslin, and
calico; patterns and fashion-plates lay scattered around, and in the
foreground was a wicker dress-stand, surmounted by an exact model
of Mrs. Wilkinson's own graceful figure—a costly but indispensable
possession. At this moment it was attired in an elaborate white ball
skirt and low satin bodice, and at a little distance appeared to be one
of the party in the verandah.
To slave for days, nay weeks, at her sewing machine, to cut up,
contrive and piece, scanty materials; to ponder for hours over
patterns, confer with an unimaginative native, cope with failures,
and plunge into debt, were a few of the drawbacks to Mrs. Wilkinson's
pre-eminence. But inconvenience, anxiety, and self-denial were
forgotten when she appeared in an incomparable "success," conscious of
triumph, aware that she was the cynosure of all eyes, and that even
in church she absorbed the attention of half the congregation. It is
true that certain rivals, women with ungrudging husbands, replenished
their wardrobes from London and Paris. Nevertheless, with even these,
this talented artiste was able to compete, for she was endowed with the
gift of wearing, as well as of designing, her matchless toilettes. Her
figure was slender and graceful, and in a smart evening gown, with just
the least little touch on her cheeks, Mrs. Wilkinson still held her own
in a ballroom; her dancing was perfection, and, next to dress, her sole
passion.
As for the lady's past, despite her craze for dress and dancing, it was
extraordinarily monotonous, and uneventful.
* * * * *
Public-domain text, read in full here on John Shaqi.
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