He left the house, after all, with Mary Wing, who was going home for an
hour's work on school examination-books, before returning to sup with
Mrs. Flower. This decision she had casually communicated, by the
hatstand just now. So the "holiday-time" came to a six-blocks' walk: and
even that was an after-thought. Truly, if a man had a mind to see this
woman, without definite transactions to discuss, he had need of all his
delicacy and tact. Calls, drives, bridge-parties, going to places, doing
things: she had no room in her life for such as these. Time was more
precious to Mary than to a writer. And she had convinced one writer, at
least, by a moving tribute to his perfect friendship, that she had never
had a personal thought of him in her life.
But Charles did not despair. He was a young man still. And meantime he
was happy.
"You should wear a hat like that every day," she said, agreeably, as
they turned into Washington Street. "You look seven feet tall at
least.... By the way, did you feel your ears burning, about one o'clock
to-day?"
He said no, and smiled a little. Her intention of keeping the
conversation away from certain topics--topics that might have been
uppermost in both their minds to-day, perhaps--had been perfectly
evident to him from the moment they crossed the verandah.
"I met Judge Blenso as I came home to lunch," continued Mary, "and he
stopped for a talk--purely to tell me what a wonderful person you were,
it seemed. But in that connection, he gave me some exciting news--that
you've just had a very flattering offer for 'Bondwomen'--and refused it!
I couldn't understand why."
At that, he looked subtly pleased, while affecting but a modest
amusement. The event in question had been, in truth, sweet balm to the
spirit and the confidence bruised in so many rebuffs. Still, his reply
was only that his relative was born for a press-agent clearly. Requested
to explain this dark saying, he gave a light disparaging account of his
only offer, stating that Appleholt Brothers, before accepting his book,
had desired him to rewrite it throughout, completely revolutionizing the
character of his heroine and omitting not less than fifty thousand
words, including the existing plot.
Mary glanced up at him. "I'm taking this with a little salt--shall I?"
The author laughed. "Well, it was about like that. Still," he added, as
if there were such a thing as carrying modesty too far,--"of course I
could do what they want easily enough--in a month, I think."
"You don't seem excited at all. But you aren't going to do it?"
"On the contrary, I have now formally changed the name of my old novel
to 'Bandwomen,' and--put it in the Morgue."
"The Morgue?"
"A repository for deceased manuscripts, recently founded by my
relative."
"Oh!" said she, slowly. And, after a pause: "You don't feel any longer
that it's good?"
Public-domain text, read in full here on John Shaqi.
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