They thought it most reprehensible of him to have no remedy, and closed
in on him, bursting with theirs. "Have you not considered the
necessities of the living wage!" demanded the elder Miss Hodger's
joyless voice, suddenly at his elbow. "Living wage--bah!" said Professor
Pollock, hotly. "A mere sop--a mere feeble temporizing--" "You must get
into their homes!" cried the youngest Miss Hodger, who admitted homes
only as places to get into. "You must take them very, very young...."
So they fell to quarreling among themselves, and Charles Garrott
wriggled away, wishing that he were as cocksure about anything as the
Hodgers were about everything, and resolving to try to be henceforward.
So he eluded Miss Frothingham, who was handicapped by her harp and
nearsighted besides, but ran at once against a crimson-faced woman in a
purple negligée, a stranger to him he felt sure, but she asked him at
once, in an angry sort of way, "Don't you favor a public reception
_immediately_ to splendid Flora Trevenna?" In spite of his resolution,
Charles's eyes fell before the threatening gaze. It seemed to be the
sixth time, at least, that he had caught the name of Miss Trevenna among
the Turkish fumes, but the idea of the public reception immediately was
new to him. "Don't you think she's struck a great Blow for Freedom?"
demanded the crimson one, with rising indignation. "Don't you think
she's weakened the hold of the horrible Tyranny of Marriage?"
Thus the Modern got stimuli, of just the sort he had known he would get
if he came. Members jostled him, blew smoke in his eyes, laid
demonstrative hands upon him. All about him in the dense air, he heard
hot voices crying out incorrect statements of things they had lately
misread; at best loose bits plucked from authors whom he, Charles, had
turned inside out year before last, as like as not. And why, he
wondered, need Redmantlers _look_ so queer? Why must new ideas, if only
the least bit radical, invariably attract people who liked to wear
breakfast-gowns in the evening, people with uncombed hair and burning
pop-eyes, people who had little chin, indeed, but yet far more chin than
humor?
And then suddenly, in the midst of the febrile Newness, the young
authority found himself talking to a sweet-faced girl from the country,
who looked at him with woman's eyes, and spoke simple little things in a
pretty voice: "Do you play bridge? Do you tango? It must be _wonderful_
to be a writer...."
It was really an extraordinary experience.
Public-domain text, read in full here on John Shaqi.
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