Angels in art; Christian art and symbolism; Painting -- Reproduction
The Archangel Michael is reverenced as the first and mightiest of all
created beings. He was worshipped by the Chaldeans, and the Gnostics
taught that he was the leader of the seven angels who created the
universe. After the Captivity the Hebrews regarded him as all that is
implied by the Prophet Daniel when he
[Illustration: RAPHAEL.--THE ARCHANGEL MICHAEL CASTING SATAN OUT OF
HEAVEN.]
says, “Michael, the great prince which standeth for the children of thy
people.” It is believed that he will be privileged to exalt the banner
of the Cross on the Judgment Day, and to command the trumpet of the
archangel to sound; it is on account of these offices that he is called
the “Bannerer of Heaven.”
As captain of the heavenly host, it devolved on Michael to conquer
Lucifer and his followers, and to expel them from heaven after their
refusal to worship the Son of Man; and terrible was the punishment he
inflicted on them. Chained in mid-air, where they must remain until the
Judgment Day, they behold all that happens on earth. Man, whom they
disdained, has flourished in their sight, and wields a power that they
may well envy, while the souls of the redeemed constantly ascend to the
heaven which is closed to them. Thus are they constantly tormented by
hate, and a desire for revenge, of which they must ever despair.
St. Michael is represented in art as young and severely beautiful. In
the earliest pictures his drapery is always white and his wings of many
colors, while his symbols, indicating that his conquests are made by
spiritual force alone, are a lance terminating in a cross, or a sceptre.
Later, it became the custom to represent him in a costume and with such
emblems as indicated the nature of the work in which he was engaged; and
except for the wings, his picture might often be mistaken for that of a
celestially radiant knight, since he is clothed in armor, and bears a
sword, shield, and lance. But his seraphic wings and his bearing mark
him as a mighty spiritual power; and this impression is increased rather
than lessened, when in all humility he is in the act of worship before
the Divine Infant, or stands in reverent attitude near the Madonna, as
if to guard her and her heaven-sent son.
When conquering Satan the treatment is varied, but the subject is easily
recognized. More frequently than otherwise, the archangel stands on the
demon, who is half human and half dragon, wearing a suit of mail, and is
about to pierce the evil spirit with a lance or bind him in chains.
Public-domain text, read in full here on John Shaqi.
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