Angels in art; Christian art and symbolism; Painting -- Reproduction
There are occasional pictures of kneeling angels, who have the
appearance of praying. Artists have naturally manifested their
individuality in their works, but I do not recall any Scripture warrant
for representing angels as themselves praying, although they are present
with mortals who pray. It is, however, not inconsistent with their
mission to bear the prayers of mortals to the throne of God and to
return with a blessing.
In the early centuries of the Church there was a well-established belief
that wicked spirits had power over men and tempted them to all manner of
sins; they especially desired, it was taught, to lead
[Illustration: FRANCESCO GRANACCI.--ANGELS IN ADORATION.]
the pious to revolt against the true religion, and to become idolaters,
as they had themselves revolted against the Almighty. It was also
believed that good and evil spirits constantly contended over every
human being, the struggle between angels and demons being unending.
Devils are introduced in many pictures, and are easily recognized by
their demoniacal appearance. Frequently they are very small and
numerous. They are represented as hovering above death-beds, they
rejoice in the persecution of the martyrs, and wherever seen, are the
very personification of all that is repulsive and loathsome.
The most important pictures in which the devil is represented as a human
being are scenes in the temptation of Jesus, when he was led into the
wilderness to be tempted forty days. Shakespeare says that “the devil
hath power to assume a pleasing shape,” but apparently artists have not
recognized this. In their pictures of him there is always some
characteristic which at once discloses his personality. His skin is an
ugly brown, or the hoofs which he endeavors to hide are disclosed, or
the repulsive expression of his face warns one of his dangerous
character.
Happily such pictures are not numerous, but an ideal of the
repulsiveness of the Father of Lies has been conceived by many from the
famous representations of him by Raphael and Guido, in their pictures of
his conquest by St. Michael. In numerous cases, however, the presence of
Satan is indicated by symbols. The dragon and the serpent are the
usually accepted emblems of the Evil Spirit, but there are many
variations of this symbolism. A horrid dragon head with open mouth
typifies hell. Frequently the serpent has an apple in his mouth and
thus personates the wily tempter of Mother Eve; but in many cases the
serpent has no relation to the fall of man, and is personified evil.
CHAPTER VI.
PICTURES OF ANGELS AS AUTHORIZED BY THE SCRIPTURES.
Public-domain text, read in full here on John Shaqi.
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