Anglo-Saxons; Great Britain -- History -- Anglo-Saxon period, 449-1066
but praise be to God, it yet stands sound, and they ever
there fared evilly. And there after mid-winter they took
their way up, out through Chiltern, and so to Oxenaford
[Oxford], and for-burnt the burg, and took their way on to
the twa halves of Thames to shipward. There man warned them
that there was fyrd gathered at Lunden against them; then
wended they over at Stane [Staines]. And thus fared they all
the winter, and that Lent were in Kent and bettered
[repaired] their ships.
We possess several manuscript versions of the Chronicle, belonging to
different abbeys, and containing in places somewhat different accounts.
Thus the Peterborough copy is fullest on matters affecting that
monastery, and even inserts several spurious grants, which, however, are
of value as showing how incapable the writers were of scientific
forgery, and so as guarantees of the general accuracy of the document.
But in the main facts they all agree. Nor do they stop short at the
Norman Conquest. Most of them continue half through the reign of
William, and then cease; while one manuscript goes on uninterruptedly
till the reign of Stephen, and breaks off abruptly in the year 1154 with
an unfinished sentence. With it, native prose literature dies down
altogether until the reign of Edward III.
As a whole, however, the Conquest struck the death-blow of Anglo-Saxon
literature almost at once. During the reigns of Ælfred's descendants
Wessex had produced a rich crop of native works on all subjects, but
especially religious. In this literature the greatest name was that of
Ælfric, whose Homilies are models of the classical West Saxon prose.
But after the Conquest our native literature died out wholly, and a new
literature, founded on Romance models, took its place. The Anglo-Saxon
style lingered on among the people, but it was gradually killed down by
the Romance style of the court writers. In prose, the history of William
of Malmesbury, written in Latin, and in a wider continental spirit,
marks the change. In poetry, the English school struggled on longer, but
at last succumbed. A few words on the nature of this process will not be
thrown away.
Public-domain text, read in full here on John Shaqi.
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