Now, here the inherited tendency to peck at small objects led, through the drawing down of the paper, to a new situation, of which advantage was taken. The little drama consisted of two scenes, which may be sufficiently described as “the corner of the pen,” and “the open way,” this being the sequence in experience. Subsequently the first scene was again enacted in presentative terms, and there followed first a re-presentation of scene ii., with its associated behaviour, and then the presentative repetition of this scene. We may take this as a sample of the nature of a conscious situation which is effective in guidance. We have seen the nature of the elements (sensory data, including as essential those supplied by the behaviour itself, with a pleasurable or painful tone) which enter into such a situation; we have seen that they owe their primary origin to direct presentation, but that they may be subsequently introduced indirectly in re-presentative form; we have seen that the situation as a whole results from the coalescence of the data. There only remains the question how the felt situation takes effect on behaviour. And to this question, unfortunately, we can give but a meagre and incomplete reply. All we can say is, that connections seem to be in some way established between the centres of conscious control and the centres of congenital response; and that through these channels the responsive behaviour may be either checked or augmented (as a whole or in part), according to the tone, disagreeable or pleasant, that suffuses the situation. How this is effected we do not fully know. III.--LATER PHASES IN MENTAL DEVELOPMENT