NO. CATS TRIED NO. CATS FAILED +---------------+---------------+ F | 5 | 4 | G | 8 | 5 | H | 9 | 2 | J | 5 | 2 | K | 5 | 2 | +---------------+---------------+ The time-curves follow. By referring to the description of apparatus they will be easily understood. Each mm. along the abscissa represents one trial. Each mm. above it represents 10 seconds. [Illustration: FIG. 4.] [Illustration: FIG. 5.] These time-curves show, in the first place, what associations are easy for an animal to form, and what are hard. The act must be one which the animal will perform in the course of the activity which its inherited equipment incites or its previous experience has connected with the sense-impression of a box’s interior. The oftener the act naturally occurs in the course of such activity, the sooner it will be performed in the first trial or so, and this is one condition, sometimes, of the ease of forming the association. For if the first few successes are five minutes apart, the influence of one may nearly wear off before the next, while if they are forty seconds apart the influences may get summated. But this is not the only or the main condition of the celerity with which an association may be formed. It depends also on the amount of attention given to the act. An act of the sort likely to be well attended to will be learned more quickly. Here, too, accident may play a part, for a cat may merely happen to be attending to its paw when it claws. The kind of acts which insure attention are those where the movement which works the mechanism is one which the cat makes definitely to get out. Thus A (O at front) is easier to learn than C (button), because the cat does A in trying to claw down the front of the box and so is attending to what it does; whereas it does C generally in a vague scramble along the front or while trying to claw outside with the other paw, and so does not attend to the little unimportant part of its act which turns the button round. Above all, _simplicity_ and _definiteness_ in the act make the association easy. G (thumb latch), J (double) and K and L (triples) are hard, because complex. E is easy, because directly in the line of the instinctive impulse to try to pull oneself out of the box by clawing at anything outside. It is thus very closely attended to. The extreme of ease is reached when a single experience stamps the association in so completely that ever after the act is done at once. This is approached in I and E. [Illustration: FIG. 6.] In these experiments the sense-impressions offered no difficulty one more than the other.