To think that I, maybe
_I_ will be able to flaunt the very thing in her face that she has all
these years held over me—the very thing, even to its being a son of the
very scoundrel that actually bent over the cradle of my girlhood and
blinded me with the lies that lit up his face."
A few yards away the pair had paused. Chester had taken the girl’s hand
and was gently stroking it as it lay restlessly in his big palm. For a
moment Ann lost sight of them, for she was stealthily creeping behind
the low, hanging boughs of the bushes to get nearer. She found herself
presently behind a big bowlder. She no longer saw the couple, but could
hear their voices quite distinctly.
"You won’t even let me hold your hand," she heard him say. "You make me
miserable, Virginia. When I am at home alone, I get to thinking over
your coldness and indifference, and it nearly drives me crazy. Why did
you jerk your hand away so quickly just now?"
"I don’t see what you were talking to a drummer about me for, in a
public place like that," the girl answered, in pouting tones.
"Why, it was this way, Virginia—now don’t be silly!" protested Chester.
"You see, this Masters and I were at college together, and rather
intimate, and down at the store we were standing talking when you came
in the front to buy something. He said he thought you were really the
prettiest girl he had ever seen, and he was begging me to introduce him
to you."
"Introduce him!" Virginia snapped. "I don’t want to know him. And so you
stood there talking about me!"
"It was only a minute, Virginia, and I couldn’t help it," Chester
declared. "I didn’t think you’d care to know him, but I had to treat him
decently. I told him how particular your mother was, and that I couldn’t
manage it. Oh, he’s simply daft about you. He passed you on the road
this morning, and hasn’t been able to talk about anything since. But who
could blame him, Virginia? You can form no idea of how pretty you are in
the eyes of other people. Frankly, in a big gathering of women you’d
create a sensation. You’ve got what every society woman in the country
would die to have, perfect beauty of face and form, and the most
remarkable part about it is your absolute unconsciousness of it all.
I’ve seen good-looking women in the best sets in Augusta and Savannah
and Atlanta, but they all seem to be actually making up before your very
eyes. Do you know, it actually makes me sick to see a woman all rigged
out in a satin gown so stiff that it looks like she’s encased in some
metallic painted thing that moves on rollers. It’s beauty unadorned that
you’ve got, and it’s the real thing."
"I don’t want to talk about myself eternally," said Virginia, rather
sharply, the eavesdropper thought, "and I don’t see why you seem to
think I do. When you are sensible and talk to me about what we have both
read and thought, I like you better."
Public-domain text, read in full here on John Shaqi.
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