Ann Veronica: A Modern Love StoryWells, H. G. (Herbert George)
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Ann Veronica: A Modern Love Story
Wells, H. G. (Herbert George)
Feminism -- Fiction; Great Britain -- Social conditions -- Fiction; Love stories; Sex role -- Fiction
He doubled up his fist, and seemed to contemplate thrusting it through
the window. He turned his back on that temptation. Then suddenly he
seized a new preparation bottle that stood upon his table and contained
the better part of a week’s work--a displayed dissection of a snail,
beautifully done--and hurled it across the room, to smash resoundingly
upon the cemented floor under the bookcase; then, without either haste
or pause, he swept his arm along a shelf of re-agents and sent them to
mingle with the debris on the floor. They fell in a diapason of smashes.
“H’m!” he said, regarding the wreckage with a calmer visage. “Silly!” he
remarked after a pause. “One hardly knows--all the time.”
He put his hands in his pockets, his mouth puckered to a whistle, and he
went to the door of the outer preparation-room and stood there, looking,
save for the faintest intensification of his natural ruddiness, the
embodiment of blond serenity.
“Gellett,” he called, “just come and clear up a mess, will you? I’ve
smashed some things.”
Part 3
There was one serious flaw in Ann Veronica’s arrangements for
self-rehabilitation, and that was Ramage. He hung over her--he and his
loan to her and his connection with her and that terrible evening--a
vague, disconcerting possibility of annoyance and exposure. She could
not see any relief from this anxiety except repayment, and repayment
seemed impossible. The raising of twenty-five pounds was a task
altogether beyond her powers. Her birthday was four months away, and
that, at its extremist point, might give her another five pounds.
The thing rankled in her mind night and day. She would wake in the night
to repeat her bitter cry: “Oh, why did I burn those notes?”
It added greatly to the annoyance of the situation that she had twice
seen Ramage in the Avenue since her return to the shelter of her
father’s roof. He had saluted her with elaborate civility, his eyes
distended with indecipherable meanings.
She felt she was bound in honor to tell the whole affair to Manning
sooner or later. Indeed, it seemed inevitable that she must clear it up
with his assistance, or not at all. And when Manning was not about
the thing seemed simple enough. She would compose extremely lucid and
honorable explanations. But when it came to broaching them, it proved to
be much more difficult than she had supposed.
They went down the great staircase of the building, and, while she
sought in her mind for a beginning, he broke into appreciation of her
simple dress and self-congratulations upon their engagement.
“It makes me feel,” he said, “that nothing is impossible--to have you
here beside me. I said, that day at Surbiton, ‘There’s many good things
in life, but there’s only one best, and that’s the wild-haired girl
who’s pulling away at that oar. I will make her my Grail, and some day,
perhaps, if God wills, she shall become my wife!’”
He looked very hard before him as he said this, and his voice was full
of deep feeling.
Public-domain text, read in full here on John Shaqi.
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