Ann Veronica: A Modern Love StoryWells, H. G. (Herbert George)
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Ann Veronica: A Modern Love Story
Wells, H. G. (Herbert George)
Feminism -- Fiction; Great Britain -- Social conditions -- Fiction; Love stories; Sex role -- Fiction
“Grail!” said Ann Veronica, and then: “Oh, yes--of course! Anything but
a holy one, I’m afraid.”
“Altogether holy, Ann Veronica. Ah! but you can’t imagine what you are
to me and what you mean to me! I suppose there is something mystical and
wonderful about all women.”
“There is something mystical and wonderful about all human beings. I
don’t see that men need bank it with the women.”
“A man does,” said Manning--“a true man, anyhow. And for me there is
only one treasure-house. By Jove! When I think of it I want to leap and
shout!”
“It would astonish that man with the barrow.”
“It astonishes me that I don’t,” said Manning, in a tone of intense
self-enjoyment.
“I think,” began Ann Veronica, “that you don’t realize--”
He disregarded her entirely. He waved an arm and spoke with a peculiar
resonance. “I feel like a giant! I believe now I shall do great things.
Gods! what it must be to pour out strong, splendid verse--mighty
lines! mighty lines! If I do, Ann Veronica, it will be you. It will be
altogether you. I will dedicate my books to you. I will lay them all at
your feet.”
He beamed upon her.
“I don’t think you realize,” Ann Veronica began again, “that I am rather
a defective human being.”
“I don’t want to,” said Manning. “They say there are spots on the sun.
Not for me. It warms me, and lights me, and fills my world with flowers.
Why should I peep at it through smoked glass to see things that don’t
affect me?” He smiled his delight at his companion.
“I’ve got bad faults.”
He shook his head slowly, smiling mysteriously.
“But perhaps I want to confess them.”
“I grant you absolution.”
“I don’t want absolution. I want to make myself visible to you.”
“I wish I could make you visible to yourself. I don’t believe in the
faults. They’re just a joyous softening of the outline--more beautiful
than perfection. Like the flaws of an old marble. If you talk of your
faults, I shall talk of your splendors.”
“I do want to tell you things, nevertheless.”
“We’ll have, thank God! ten myriad days to tell each other things. When
I think of it--”
“But these are things I want to tell you now!”
“I made a little song of it. Let me say it to you. I’ve no name for it
yet. Epithalamy might do.
“Like him who stood on Darien
I view uncharted sea
Ten thousand days, ten thousand nights
Before my Queen and me.
“And that only brings me up to about sixty-five!
“A glittering wilderness of time
That to the sunset reaches
No keel as yet its waves has ploughed
Or gritted on its beaches.
“And we will sail that splendor wide,
From day to day together,
From isle to isle of happiness
Through year’s of God’s own weather.”
“Yes,” said his prospective fellow-sailor, “that’s very pretty.” She
stopped short, full of things un-said. Pretty! Ten thousand days, ten
thousand nights!
“You shall tell me your faults,” said Manning. “If they matter to you,
they matter.”
Public-domain text, read in full here on John Shaqi.
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