Fathers and daughters -- Drama; New York (N.Y.) -- Drama; Young women -- Drama
ANNA--[Scornfully.] Me? On a dirty coal barge! What d'you think I am?
MARTHY--[Resentfully.] What d'yuh know about barges, huh? Bet yuh ain't
never seen one. That's what comes of his bringing yuh up inland--away
from the old devil sea--where yuh'd be safe--Gawd! [The irony of it
strikes her sense of humor and she laughs hoarsely.]
ANNA--[Angrily.] His bringing me up! Is that what he tells people! I
like his nerve! He let them cousins of my Old Woman's keep me on their
farm and work me to death like a dog.
MARTHY--Well, he's got queer notions on some things. I've heard him say
a farm was the best place for a kid.
ANNA--Sure. That's what he'd always answer back--and a lot of crazy
stuff about staying away from the sea--stuff I couldn't make head or
tail to. I thought he must be nutty.
MARTHY--He is on that one point. [Casually.] So yuh didn't fall for
life on the farm, huh?
ANNA--I should say not! The old man of the family, his wife, and four
sons--I had to slave for all of 'em. I was only a poor relation, and
they treated me worse than they dare treat a hired girl. [After a
moment's hesitation--somberly.] It was one of the sons--the
youngest--started me--when I was sixteen. After that, I hated 'em so
I'd killed 'em all if I'd stayed. So I run away--to St. Paul.
MARTHY--[Who has been listening sympathetically.] I've heard Old Chris
talkin' about your bein' a nurse girl out there. Was that all a bluff
yuh put up when yuh wrote him?
ANNA--Not on your life, it wasn't. It was true for two years. I didn't
go wrong all at one jump. Being a nurse girl was yust what finished me.
Taking care of other people's kids, always listening to their bawling
and crying, caged in, when you're only a kid yourself and want to go
out and see things. At last I got the chance--to get into that house.
And you bet your life I took it! [Defiantly.] And I ain't sorry
neither. [After a pause--with bitter hatred.] It was all men's
fault--the whole business. It was men on the farm ordering and beating
me--and giving me the wrong start. Then when I was a nurse, it was men
again hanging around, bothering me, trying to see what they could get.
[She gives a hard laugh.] And now it's men all the time. Gawd, I hate
'em all, every mother's son of 'em! Don't you?
MARTHY--Oh, I dunno. There's good ones and bad ones, kid. You've just
had a run of bad luck with 'em, that's all. Your Old Man, now--old
Chris--he's a good one.
ANNA--[Sceptically.] He'll have to show me.
MARTHY--Yuh kept right on writing him yuh was a nurse girl still, even
after yuh was in the house, didn't yuh?
ANNA--Sure. [Cynically.] Not that I think he'd care a darn.
MARTHY--Yuh're all wrong about him, kid, [Earnestly.] I know Old Chris
well for a long time. He's talked to me 'bout you lots o' times. He
thinks the world o' you, honest he does.
ANNA--Aw, quit the kiddin'!
Public-domain text, read in full here on John Shaqi.
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