Adultery -- Fiction; Didactic fiction; Love stories; Married women -- Fiction; Russia -- Fiction
“Yes, my dear boy,” said Stepan Arkadyevitch, nodding his head, “he’s a
lucky fellow! Over six thousand acres in the Karazinsky district;
everything before him; and what youth and vigor! Not like some of us.”
“You have a great deal to complain of, haven’t you, Stepan
Arkadyevitch?”
“Ah, yes, I’m in a poor way, a bad way,” said Stepan Arkadyevitch with
a heavy sigh.
Chapter 6
When Oblonsky asked Levin what had brought him to town, Levin blushed,
and was furious with himself for blushing, because he could not answer,
“I have come to make your sister-in-law an offer,” though that was
precisely what he had come for.
The families of the Levins and the Shtcherbatskys were old, noble
Moscow families, and had always been on intimate and friendly terms.
This intimacy had grown still closer during Levin’s student days. He
had both prepared for the university with the young Prince
Shtcherbatsky, the brother of Kitty and Dolly, and had entered at the
same time with him. In those days Levin used often to be in the
Shtcherbatskys’ house, and he was in love with the Shtcherbatsky
household. Strange as it may appear, it was with the household, the
family, that Konstantin Levin was in love, especially with the feminine
half of the household. Levin did not remember his own mother, and his
only sister was older than he was, so that it was in the
Shtcherbatskys’ house that he saw for the first time that inner life of
an old, noble, cultivated, and honorable family of which he had been
deprived by the death of his father and mother. All the members of that
family, especially the feminine half, were pictured by him, as it were,
wrapped about with a mysterious poetical veil, and he not only
perceived no defects whatever in them, but under the poetical veil that
shrouded them he assumed the existence of the loftiest sentiments and
every possible perfection. Why it was the three young ladies had one
day to speak French, and the next English; why it was that at certain
hours they played by turns on the piano, the sounds of which were
audible in their brother’s room above, where the students used to work;
why they were visited by those professors of French literature, of
music, of drawing, of dancing; why at certain hours all the three young
ladies, with Mademoiselle Linon, drove in the coach to the Tversky
boulevard, dressed in their satin cloaks, Dolly in a long one, Natalia
in a half-long one, and Kitty in one so short that her shapely legs in
tightly-drawn red stockings were visible to all beholders; why it was
they had to walk about the Tversky boulevard escorted by a footman with
a gold cockade in his hat—all this and much more that was done in their
mysterious world he did not understand, but he was sure that everything
that was done there was very good, and he was in love precisely with
the mystery of the proceedings.
Public-domain text, read in full here on John Shaqi.
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