Adultery -- Fiction; Didactic fiction; Love stories; Married women -- Fiction; Russia -- Fiction
“It’s very well for you to talk like that; it’s very much like that
gentleman in Dickens who used to fling all difficult questions over his
right shoulder. But to deny the facts is no answer. What’s to be
done—you tell me that, what’s to be done? Your wife gets older, while
you’re full of life. Before you’ve time to look round, you feel that
you can’t love your wife with love, however much you may esteem her.
And then all at once love turns up, and you’re done for, done for,”
Stepan Arkadyevitch said with weary despair.
Levin half smiled.
“Yes, you’re done for,” resumed Oblonsky. “But what’s to be done?”
“Don’t steal rolls.”
Stepan Arkadyevitch laughed outright.
“Oh, moralist! But you must understand, there are two women; one
insists only on her rights, and those rights are your love, which you
can’t give her; and the other sacrifices everything for you and asks
for nothing. What are you to do? How are you to act? There’s a fearful
tragedy in it.”
“If you care for my profession of faith as regards that, I’ll tell you
that I don’t believe there was any tragedy about it. And this is why.
To my mind, love ... both the sorts of love, which you remember Plato
defines in his Banquet, served as the test of men. Some men only
understand one sort, and some only the other. And those who only know
the non-platonic love have no need to talk of tragedy. In such love
there can be no sort of tragedy. ‘I’m much obliged for the
gratification, my humble respects’—that’s all the tragedy. And in
platonic love there can be no tragedy, because in that love all is
clear and pure, because....”
At that instant Levin recollected his own sins and the inner conflict
he had lived through. And he added unexpectedly:
“But perhaps you are right. Very likely ... I don’t know, I don’t
know.”
“It’s this, don’t you see,” said Stepan Arkadyevitch, “you’re very much
all of a piece. That’s your strong point and your failing. You have a
character that’s all of a piece, and you want the whole of life to be
of a piece too—but that’s not how it is. You despise public official
work because you want the reality to be invariably corresponding all
the while with the aim—and that’s not how it is. You want a man’s work,
too, always to have a defined aim, and love and family life always to
be undivided—and that’s not how it is. All the variety, all the charm,
all the beauty of life is made up of light and shadow.”
Levin sighed and made no reply. He was thinking of his own affairs, and
did not hear Oblonsky.
And suddenly both of them felt that though they were friends, though
they had been dining and drinking together, which should have drawn
them closer, yet each was thinking only of his own affairs, and they
had nothing to do with one another. Oblonsky had more than once
experienced this extreme sense of aloofness, instead of intimacy,
coming on after dinner, and he knew what to do in such cases.
Public-domain text, read in full here on John Shaqi.
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