We know very little concerning these early princes but that they dwelt in this mountainous region for eight generations; when the Bhils, tired of a foreign rule, assailed Nagaditya, the eighth prince, while hunting, and deprived him of life and Idar. The descendants of Kamlavati (the Birnagar Brahmani), who retained the office of priest in the family, were again the preservers of the line of Valabhi. The infant Bappa, son of Nagaditya [222], then only three years old, was conveyed to the fortress of Bhander,[4.2.5] where he was protected by a Bhil of Yadu descent. Thence he was removed for greater security to the wilds of Parasar. Within its impervious recesses rose the three-peaked (_trikuta_) mountain, at whose base was the town of Nagindra,[4.2.6] the abode of Brahmans, who performed the rites of the ‘great god.’ In this retreat passed the early years of Bappa, wandering through these Alpine valleys, amidst the groves of Bal and the shrines of the brazen calf. The most antique temples are to be seen in these spots—within the dark gorge of the mountain, or on its rugged summit—in the depths of the forest, and at the sources of streams, where sites of seclusion, beauty, and sublimity alternately exalt the mind’s devotion. In these regions the creative power appears to have been the earliest, and at one time the sole, object of adoration, whose symbols, the serpent-wreathed phallus (lingam), and its companion, the bull, were held sacred even by the ‘children of the forest.’ In these silent retreats Mahadeva continued to rule triumphant, and the most brilliant festivities of Udaipur were those where his rites are celebrated in the nine days sacred to him, when the Jains and Vaishnavas mix with the most zealous of his votaries; but the strange gods from the plains of the Yamuna and Ganges have withdrawn a portion of the zeal of the Guhilots from their patron divinity Eklinga, whose diwan,[4.2.7] or viceregent, is the Rana. The temple of Eklinga, situated in one of the narrow defiles leading to the capital, is an immense structure, though more sumptuous than elegant. It is built entirely of white marble, most elaborately carved and embellished; but lying in the route of a bigoted foe, it has undergone many dilapidations. The brazen bull, placed under his own dome, facing the sanctuary of the phallus, is nearly of the natural size, in a recumbent posture. It is cast (hollow) of good shape, highly polished and without flaw, except where the hammer of the Tatar had opened a passage in the hollow flank in search of treasure[4.2.8] [223].