Annals and Antiquities of Rajasthan, v. 2 of 3: or the Central and Western Rajput States of IndiaTod, James
History
Annals and Antiquities of Rajasthan, v. 2 of 3: or the Central and Western Rajput States of India
Tod, James
Rajasthan (India) -- History; Rajput (Indic people) -- History
Thus Ganesa is the chief of the Di minores of the Hindu pantheon, as the
etymology of the word indicates,[4.22.25] and like Janus, was entrusted
with the gates of heaven [591]; while of his right to preside over peace
and war, the fable related affords abundant testimony. Ganesa is the
first invoked and propitiated[4.22.26] on every undertaking, whether
warlike or pacific. The warrior implores his counsel; the banker indites
his name at the commencement of every letter; the architect places his
image in the foundation of every edifice; and the figure of Ganesa is
either sculptured or painted at the door of every house as a protection
against evil. Our Hindu Janus is represented as four-armed, and holding
the disk (_chakra_), the war-shell, the club, and the lotos. Ganesa is
not, however, _bifrons_, like the Roman guardian of portals. In every
transaction he is _adi_, or the first, though the Hindu does not, like
the Roman, open the year with his name. I shall conclude with remarking
that one of the portes of every Hindu city is named the Ganesa Pol, as
well as some conspicuous entrance to the palace: thus Udaipur has its
Ganesa dwara, who also gives a name to the hall, the Ganesa deori; and
his shrine will be found on the ascent of every sacred mount, as at Abu,
where it is placed close to a fountain on the abrupt face about twelve
hundred feet from the base. There is likewise a hill sacred to him in
Mewar called Ganesa Gir, tantamount to the Mons Janiculum of the eternal
city. The companion of this divinity is a rat, who indirectly receives a
portion of homage, and with full as much right as the bird emblematic of
Minerva.[4.22.27]
We have abandoned the temple of the warlike divinity (Devi), the sword
of Mars, and the triumphal _toran_, to invoke Ganesa. It will have been
remarked that the Rana aids himself to dismount by placing his hand on
one of the columns of the _toran_, an act which is pregnant with a
martial allusion, as are indeed the entire ceremonials of the “worship
of the sword.”
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