Annals and Antiquities of Rajasthan, v. 2 of 3: or the Central and Western Rajput States of IndiaTod, James
History
Annals and Antiquities of Rajasthan, v. 2 of 3: or the Central and Western Rajput States of India
Tod, James
Rajasthan (India) -- History; Rajput (Indic people) -- History
In another measure, the bard proceeds to contrast the occupations of his
heroes and the celestials preparatory to the combat, which descriptions
are termed _rupaka_. “The heroes gird on their armour, while the
heavenly fair deck their persons. They place on their heads the helm
crowned with the war-bell (_viragantha_), these adjust the corset; they
draw the girths of the war-steed, the fair of the world of bliss bind
the anklet of bells; nets of steel defend the turban’s fold, they braid
their hair with golden flowers and gems; the warrior polishes his
falchion—the fair tints the eyelid with _anjan_;[4.23.33] the hero
points his dagger, the fair paints a heart on her forehead; he braces on
his ample buckler—she places the resplendent orb in her ear; he binds
his arms with a gauntlet of brass—she stains her hands with the henna.
The hero decorates his hand with the tiger-claw[4.23.34]—the Apsaras
ornaments with rings and golden bracelets; the warrior shakes the
ponderous lance—the heavenly fair the garland of love[4.23.35] to
decorate those who fall in the fight; she binds on a necklace of pearls,
he a _mala_ of the tulasi.[4.23.36] The warrior strings his bow—the fair
assume their killing [620] glances. Once more the heroes look to their
girths, while the celestial fair prepare their cars.”
After the bard has finished his _rupaka_, he exclaims, “Thus says Chand,
the lord of verse; with my own eyes have I seen what I describe.” It is
important to remark, that the national faith of the Rajput never
questions the prophetic power of their chief bard, whom they call
Trikala, or cognoscent of the past, the present, and the future—a
character which the bard has enjoyed in all ages and climes; but Chand
was the last whom they admitted to possess supernatural vision.
We must now return to Mahoba, where a grand council had assembled at a
final deliberation; at which, shaded by screens, the mother of the
Bannaphars, and the queen Malandevi, were present. The latter thus opens
the debate: “O mother of Alha, how may we succeed against the lord of
the world?[4.23.37] If defeated, lost is Mahoba; if we pay tribute, we
are loaded with shame.” Dewaldai recommends hearing _seriatim_ the
opinions of the chieftains, when Alha thus speaks: “Listen, O mother, to
your son; he alone is of pure lineage who, placing loyalty on his head,
abandons all thoughts of self, and lays down his life for his prince; my
thoughts are only for Parmal. If she lives she will show herself a
woman, or emanation of Parvati.[4.23.38] The warriors of Sambhar shall
be cut in pieces. I will so illustrate the blood of my fathers, that my
fame shall last for ever. My son Indal, O prince! I bequeath to you, and
the fame of Dewaldai is in your keeping.”
Public-domain text, read in full here on John Shaqi.
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