Hence the Jains, the chief sect of the Buddhists,[4.20.17] so called from adoring the spirit (Jina), were untinctured with idolatry until the apotheosis of Krishna,[4.20.18] whose mysteries superseded the simpler worship of Budha. Neminath (the deified Nemi) was the pontiff of Budha, and not only the contemporary of Krishna, but a Yadu, and his near relation; and both had epithets denoting their complexion; for Arishta, the surname of Nemi, has the same import as Syam and Krishna, ‘the black,’ though the latter is of a less Ethiopic hue than Nemi.[4.20.19] It was anterior to this schism amongst the sons of Budha that the creative power was degraded under sensual forms, when the pillar rose to Bal or Surya in Syria and on the Ganges: and the serpent, “subtlest beast of all the field,” worshipped as the emblem of wisdom (Budha), was conjoined with the symbol of the creative power, as at the shrine of Eklinga, where the brazen serpent is wreathed round the lingam.[4.20.20] Budha’s descendants, the Indus, preserved the Ophite sign of their race, when Krishna’s followers adopted the eagle as his symbol. These, with the adorers of Surya, form the three idolatrous classes of India, not confined to its modern [536] restricted definition, but that of antiquity, when Industhan or Indu-Scythia extended from the Ganges to the Caspian. In support of the position that the existing polytheism was unknown on the rise of Vaishnavism, we may state, that in none of the ancient genealogies do the names of such deities appear as proper names in society, a practice now common; and it is even recorded that the rites of magic, the worship of the host of heaven, and of idols, were introduced from Kashmir, between the periods of Krishna and Vikrama. The powers of nature were personified, and each quality, mental and physical, had its emblem, which the Brahmans taught the ignorant to adopt as realities, till the pantheon become so crowded that life would be too short to acquire even the nomenclature of their ‘thirty-three millions of gods.’[4.20.21] No object was too high or too base, from the glorious Orb to the Rampi, or paring-knife of the shoemaker. In illustration of the increase of polytheism, I shall describe the seven forms under which Krishna is worshipped, whose statues are established in the various capitals of Rajasthan, and are occasionally brought together at the festival of Annakuta at Nathdwara.