The international wars of the Suryas and the Yadu races, as described in the Ramayana and Mahabharata, are lost between allegory and literal interpretation. The Suryas, or Saivas, were depressed; and the Indus, who counted ‘fifty-six’ grand tribes, under the appellations of Takshak, ‘serpent,’ Aswa, ‘horse,’ Sasa, ‘hare,’ etc., etc., had paramount sway. Krishna’s schism produced a new type, that of the eagle, and the wars of the schismatics were depicted under their respective emblems, the eagle and serpent, of which latter were the Kauravas and Takshaks,[4.20.22] the political adversaries of the Pandus, the relatives of Krishna. The [537] allegory of Krishna’s eagle pursuing the serpent Budha, and recovering the books of science and religion with which he fled, is an historical fact disguised: namely, that of Krishna incorporating the doctrines of Budha with his own after the expulsion of the sect from India. Dare we further attempt to lift the veil from this mystery, and trace from the seat of redemption of lost science its original source?[4.20.23] The Gulf of Cutch, the point where the serpent attempted to escape, has been from time immemorial to the present day the entrepôt for the commerce of Sofala, the Red Sea, Egypt, and Arabia. There Budha Trivikrama, or Mercury, has been and is yet invoked by the Indian mariners, especially the pirates of Dwarka. Did Budha or Mercury come from, or escape to the Nile? Is he the Hermes of Egypt to whom the ‘four books of science,’ like the four Vedas[4.20.24] of the Hindus, were sacred? The statues of Nemi,[4.20.25] the representative of Budha, exactly resemble in feature the bust of young Memnon.[4.20.26] I have already observed that Krishna, before his own deification, worshipped his great ancestor Budha; and his temple at Dwarka rose over the ancient shrine of the latter, which yet stands. In an inscription from the cave of Gaya their characters are conjoined: “Hari who is Budha.” According to Western mythology, Apollo and Mercury exchanged symbols, the caduceus for the lyre; so likewise in India their characters intermingle: and even the Saiva propitiates Hari as the mediator and disposer of the ‘divine spark’ (_jyoti_) to its reunion with the ‘parent-flame’:—thus, like Mercury, he may be said to be the conveyer of the souls of the dead. Accordingly in funeral lamentation his name only is invoked, and _Hari-bol! Hari-bol!_ is emphatically pronounced by those conveying the corpse to its final abode. The _vahan_ (_qu._ the Saxon _van_?) or celestial car of Krishna, in which the souls (_ansa_) of the just are conveyed to Suryamandal, the ‘mansion of the sun,’ is painted like himself, blue (indicative of space, or as Ouranos), with the eagle’s head; and here he partakes of the Mercury of the [538] Greeks, and of Oulios, the preserver or saviour, one of the titles of Apollo at Delos.[4.20.27]