Annals and Antiquities of Rajasthan, v. 2 of 3: or the Central and Western Rajput States of IndiaTod, James
History
Annals and Antiquities of Rajasthan, v. 2 of 3: or the Central and Western Rajput States of India
Tod, James
Rajasthan (India) -- History; Rajput (Indic people) -- History
The Sun-god (Kan, according to Diodorus) is the Minos of the
Egyptians. The hieroglyphics at Turin represent him with the head of
an ibis, or eagle, with an altar before him, on which a shade places
his offerings, namely, a goose, cakes of bread, and flowers of the
lotus, and awaits in humble attitude his doom. In Sanskrit the same
word means _soul_, _goose_, and _swan_ [?], and the Hindu poet is
always punning upon it; though it might be deemed a levity to
represent the immaterial portion under so unclassical an emblem. The
lotus flowers are alike sacred to the Kan of the Egyptians as to
Kanhaiya the mediator of the Hindus, and both are painted blue and
bird-headed. The claims of Kanhaiya (contracted Kan) as the sun
divinity of the Hindus will be abundantly illustrated in the account
of the festivals. [The above theories are obsolete.]
Footnote 4.20.28:
I do not mean to derive any aid from the resemblance of names, which
is here merely accidental. [Nonīta probably = _Navanīta_, ‘fresh
butter,’ a dairy god (Macdonell-Keith, _Vedic Index_, i. 437).]
Footnote 4.20.29:
When I heard the octogenarian ruler of Kotah ask his grandson,
“Bapalal, have you been tending the cows to-day?” my surprise was
converted into pleasure on the origin of the custom being thus
classically explained.
Footnote 4.20.30:
From _chha_, ‘six,’ and _tar_, ‘a string or wire.’
Footnote 4.20.31:
Strabo says the Greeks consider music as originating from Thrace and
Asia, of which countries were Orpheus, Musaeus, etc.; and that others
“who regard all Asia, as far as India, as a country sacred to Dionysus
(Bacchus), attribute to that country the invention of nearly all the
science of music. We perceive them sometimes describing the cithara of
the Asiatic, and sometimes applying to flutes the epithet of Phrygian.
The names of certain instruments, such as the _nabla_, and others
likewise, are taken from barbarous tongues.” This _nabla_ of Strabo is
possibly the _tabla_, the small tabor of India. If Strabo took his
orthography from the Persian or Arabic, a single point would
constitute the difference between the _N_ (ن) and the _T_ (ﺕ). [The
Arabic _tabl_, _tabla_, has no connexion with Greek νάβλα, Hebrew
_nevel_.]
Footnote 4.20.32:
Public-domain text, read in full here on John Shaqi.
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