Produced by Emmanuel Ackerman, KD Weeks and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) ------------------------------------------------------------------------ Transcriber’s Note: This version of the text cannot represent certain typographical effects. Italics are delimited with the ‘_’ character as _italic_. The text is annotated with numerous footnotes, which were numbered sequentially on each page. On occasion, a footnote itself is annotated by a note. In the previous two volumes, these were referenced using symbols (e.g. *, †), which have been converted to an alphabetic sequence (e.g., A, B). In this volume, however, the ‘subnotes’ appear in one instance as numerals. For the sake of consistency, the convention used in the previous volumes has been adopted. Since there are over 900 notes in this volume, they have been gathered at each chapter’s end, and resequenced for each chapter, using a dot notation for chapter and page (e.g. 10.4.2). Notes to the appendixes are prefaced by 'a' (e.g. a.1.1 for the first note in Appendix I.) The notes are a combination of those of the author, and of the editor of this edition. The text of the latter are enclosed in square brackets. The bold-faced phrases that begin each topic were also added by the editor, and spelling of Hindi or Sanskrit words may vary between those phrases and the author’s text. The pagination of the original edition, published in the 1820's, is preserved for ease of reference by including those page numbers in the text, also enclosed in square brackets. Crooke’s plan for the renovation of the Tod’s original text, including a discussion of the transliteration of words other than English, is given in detail in the Preface. Several tables spanned multiple pages, with sums totaled before the page break as “Carried forward”, and repeated on the following page. These have been removed, given the nature of the current text. Minor errors, attributable to the printer, have been corrected. Given the history of the text, it was thought best to leave all orthography as printed. Please see the transcriber’s note at the end of this text for details regarding the handling of any textual issues encountered during its preparation. A complex genealogical chart appears on p. 1457, inserted in mid-paragraph spanning pp. 1456 and 1458. It has been moved to precede that paragraph. ANNALS AND ANTIQUITIES OF RAJASTHAN [Illustration: COLONEL TOD AND HIS JAIN GURU. (From a painting said to be the work of the Author’s native artist, Ghāsi.) _Frontispiece._ ] ANNALS AND ANTIQUITIES OF RAJASTHAN