Country life -- Fiction; Vicars, Parochial -- England -- Fiction
These events fell on the Saturday night. On the Sunday morning, I read
prayers and preached. Never before had I enjoyed so much the petitions
of the Church, which Hooker calls “the sending of angels upward,” or
the reading of the lessons, which he calls “the receiving of angels
descended from above.” And whether from the newness of the parson, or
the love of the service, certainly a congregation more intent, or more
responsive, a clergyman will hardly find. But, as I had feared, it was
different in the afternoon. The people had dined, and the usual
somnolence had followed; nor could I find in my heart to blame men and
women who worked hard all the week, for being drowsy on the day of
rest. So I curtailed my sermon as much as I could, omitting page after
page of my manuscript; and when I came to a close, was rewarded by
perceiving an agreeable surprise upon many of the faces round me. I
resolved that, in the afternoons at least, my sermons should be as
short as heart could wish.
But that afternoon there was at least one man of the congregation who
was neither drowsy nor inattentive. Repeatedly my eyes left the page
off which I was reading and glanced towards him. Not once did I find
his eyes turned away from me.
There was a small loft in the west end of the church, in which stood a
little organ, whose voice, weakened by years of praising, and possibly
of neglect, had yet, among a good many tones that were rough, wooden,
and reedy, a few remaining that were as mellow as ever praiseful heart
could wish to praise withal. And these came in amongst the rest like
trusting thoughts amidst “eating cares;” like the faces of children
borne in the arms of a crowd of anxious mothers; like hopes that are
young prophecies amidst the downward sweep of events. For, though I do
not understand music, I have a keen ear for the perfection of the
single tone, or the completeness of the harmony. But of this organ more
by and by.
Now this little gallery was something larger than was just necessary
for the organ and its ministrants, and a few of the parishioners had
chosen to sit in its fore-front. Upon this occasion there was no one
there but the man to whom I have referred.
The space below this gallery was not included in the part of the church
used for the service. It was claimed by the gardener of the place, that
is the sexton, to hold his gardening tools. There were a few ancient
carvings in wood lying in it, very brown in the dusky light that came
through a small lancet window, opening, not to the outside, but into
the tower, itself dusky with an enduring twilight. And there were some
broken old headstones, and the kindly spade and pickaxe—but I have
really nothing to do with these now, for I am, as it were, in the
pulpit, whence one ought to look beyond such things as these.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account