1849. The Artists' Union Opera Company formed in New York City, including Bosio, De Vries, Bettini, Lorini, Badiali, and Coletti. They gave what they claimed was the first performance in America of Meyerbeer's opera "Roberto il Diavolo." (See April 7, 1834). 1849-1874. Sacred Harmonic Society, New York City. CHAPTER V 1850-1875 During this period musical events moved forward quite rapidly, and though there was a pause during the years of the Civil War--from 1861 to 1865--after that time increasing energy was in evidence. Possibly one of the most significant events was the establishment of "Dwight's Journal of Music," in Boston, the first journal in America devoted entirely to musical matters. It was published every two weeks, and while the greater part of the space was devoted to musical affairs in Europe, yet there were letters and reports from various centres in this country, which make the Journal something of a history in itself. Moreover, John S. Dwight helped very materially in bringing to the American people something in the way of musical criticism, which was sadly needed. Indeed, anyone who takes the trouble to look over the reports of concerts and operas in the daily papers of these times will be surprised at the absurdity of the comments on the performances of the noted musicians. Ritter, for instance, quotes a criticism of a pianoforte recital where the critic was much pleased by a "double run on the chromatic scale, in which the semitones were distinctly heard." With singers the chief point was whether the singer of this season could sing louder than the singer of last season. John S. Dwight was the pioneer of musical criticism in America,--an intellectual man, one of the noted band of idealists who were in the "Brook Farm" movement. "Dwight's Journal of Music" went out of existence in 1881. Musical criticism has since become a specialized art. Musical societies were multiplying,--Cincinnati and Milwaukee had them, and in Chicago the "Philharmonic Society" was organized. In 1850 also the Worcester (Mass.) "Festivals" began, and in 1858 the Peabody Institute concerts, in Baltimore. In 1858 the "Mendelssohn Quintet" was formed, and for many years toured the country giving concerts of a high standard, and doing much to raise the level of musical taste. This organization had its beginning in Boston, but it traveled so widely that it may be said to have belonged to the nation. Towards the end of this period the "Apollo Club" was organized in Chicago, and it is today one of the most excellent clubs in America. The following year the "Cecilia Society," in Boston, was organized and likewise still exists and flourishes. But these are only a few.