Annals of the Turkish Empire, from 1591 to 1659Naima, Mustafa
History
Annals of the Turkish Empire, from 1591 to 1659
Naima, Mustafa
Turkey -- History -- 1453-1683
In the meantime the páshá bowed the knee twice in humble prayer. The
signal was at length given: the largest, and immediately after it
the rest, were fired, the roaring thundering noise of which made the
earth to quake. The enemy, as might well be imagined, were struck with
terror, and perceived when it was too late their mistake. Ferdinand was
standing, at the moment a volley of shot from the batteries of Kaniza
was poured in amongst his army, talking with four of his princes, three
of whom were shot dead on the spot. Many thousands besides perished.
This feast of red-hot melons made the enemy think of retiring across
the river; and whilst in the act of doing so they were hotly pursued
by the Moslem heroes, who fought with them till the night closed upon
them. The enemy having again encamped in the direction of Sigetwar, the
princes came forward and said to King Ferdinand, “Behold, sire, the
stratagem the Turks have laid for us! Let there be no quarter shown to
them: let us destroy them root and branch, and make them a spectacle
to the world.” The king replied, that he would see how they themselves
should act: it was the day of vengeance.
They now put their cannon in order, entered into the trenches, and
from this moment the siege of Kaniza may be said to have been properly
begun. Their first act of hostility, after commencing the siege, was
the discharging of three cannon, none of which did much injury. The
first passed harmlessly over the fortress: the second was not quite so
harmless, for it passed through the páshá’s palace, killed one of his
relations, and then rebounded towards Sigetwar: the third touched the
odá of the ághá of the janissaries, but did no injury. They afterwards,
at once, and from six different places, discharged forty large pieces
of cannon, the noise of which seemed to indicate the total annihilation
of the place.
Public-domain text, read in full here on John Shaqi.
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