Miss Lois received her young friends in the sitting-room. There was a parlor with Brussels carpet and hair-cloth sofa across the hall, but its blinds were closed, and its shades drawn down. The parlor of middle-class households in the cold climate of the Northern States generally is a consecrated apartment, with the chill atmosphere and much of the solemnity of a tomb. It may be called the high altar of the careful housewife; but even here her sense of cleanliness and dustless perfection is such that she keeps it cold. No sacred fire burns, no cheerful ministry is allowed; everything is silent and veiled. The apartment is of no earthly use--nor heavenly, save perhaps for ghosts. But take it away, and the housewife is miserable; leave it, and she lives on contentedly in her sitting-room all the year round, knowing it is _there_. Miss Lois's sitting-room was cheery; it had a rag-carpet, a bright fire, and double-glass panes instead of the heavy woollen curtains which the villagers hung over their windows in the winter--curtains that kept out the cold, but also the light. Miss Lois's curtains were of white dimity with knotted fringe, and her walls were freshly whitewashed. Her framed sampler, and a memorial picture done with pen and ink, representing two weeping-willows overshadowing a tombstone, ornamented the high mantel-piece, and there were also two gayly colored china jars filled with dried rose-leaves. They were only wild-brier roses; the real roses, as she called them, grew but reluctantly in this Northern air. Miss Lois never loved the wild ones as she had loved the old-fashioned cinnamon-scented pink and damask roses of her youth, but she gathered and dried these leaves of the brier from habit. There was also hanging on the wall a looking-glass tilted forward at such an angle that the looker-in could see only his feet, with a steep ascent of carpet going up hill behind him. This looking-glass possessed a brightly hued picture at the top, divided into two compartments, on one side a lovely lady with a large bonnet modestly concealing her face, very bare shoulders, leg-of-mutton sleeves, and a bag hanging on her arm; on the other old Father Time, scythe in hand, as if he was intended as a warning to the lovely lady that minutes were rapid and his stroke sure. "Why do you keep your glass tilted forward so far that we can not look in it, Miss Lois?" Rast had once asked. Miss Lois did it from habit. But she answered: "To keep silly girls from looking at themselves while they are pretending to talk to me. They say something, and then raise their eyes quickly to see how they looked when they said it. I have known them keep a smile or a particular expression half a minute while they studied the effect--ridiculous calves!" "Calves have lovely eyes sometimes," said Rast. "Did I say the girls were ugly, Master Pert? But the homely girls look too." "Perhaps to see how they can improve themselves."