Great Britain -- History -- Elizabeth, 1558-1603 -- Fiction; Shakespeare, William, 1564-1616 -- Fiction
Surely he had seen this young man before. For the life of him he could
not then say when it was or where, but he had not the least doubt that
he had met him in very different circumstances. Yet his delicacy of
mind was such that the knowledge that he had come to the threshold of a
mystery made him less insistent than he would have been otherwise.
Presently with many sincere expressions of gratitude Anne and
Gervase took the road again. As Shakespeare watched them depart his
professional feelings got the better of him. “Dick,” he said to his
faithful henchman, “I am sore to see them go. No two such springalds as
those, so fair, sweet and likely, have I seen for a month o’ Sundays.”
“It may be so,” said Richard Burbage sagely.
“Still, things are not always what they seem, Dickon,” said the
playwright.
“How mean you, you old wiseacre?” The tragedian linked his arm
affectionately within that of his friend. “What new hare is started in
that wild demesne which you are pleased to call your mind?”
“I mean, dear shrew, that those are no more gypsies than Richard
Burbage is Emperor of Cathay.”
“Then who the plague be they?”
“Ha! you have me there. But I’ll wager there is far more in this matter
than meets the eye.”
“So be it, then,” said the tragedian, rolling his rich voice. “But
in the meantime let us see if a large cup of sack will sharpen your
recollection, you subtle-minded maker of plays.”
CHAPTER XV
ALAS! a large cup of sack did little to sharpen the remembrance of Mr.
William Shakespeare. It was in vain that he brought his mind to bear
upon the problem that now engaged it. He felt sure he had seen both the
gypsies before, and in very different circumstances; slight threads of
recollection were alive in his memory, but for the life of him he could
not piece them together into any hopeful clue.
The playwright spent the rest of the morning on a bench in the sun
before the door of the Crown, conning diligently the close-written
sheets of the latest heir of his invention.
Art is long, time fleeting. He read with mingled feelings: relief that
the thing was done at last; regret of the true artist that it was
not to be done all over again, so far it was from those first blithe
runnings of the fancy which had peopled his mind with such glad shapes
as no eye of mortal could ever look upon. Even now it wanted a title,
this pleasant conceited comedy. And how was it possible to find a
name for this absurd, sweetly foolish fantasy of the greenwood and a
banished duke, of love and girlhood and high poesy?
Public-domain text, read in full here on John Shaqi.
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