Man-woman relationships -- Fiction; Older women -- Fiction; Single women -- Fiction; Villages -- England -- Fiction
“_I hear_,” he said towards the end of the letter, “_that I’m likely
to renew my acquaintance with your little friend, Mrs. Dakin. By a
strange chance, the wife of a friend of mine, Louis Didier, knew her
as a school-girl--went to school with her, I think; and she has been
asked to visit them. Louis Didier is a good fellow--an architect. No.
You never met him. I have known him myself only two or three years.
He belongs to the younger generation. C’est un bon garçon, though his
work is mediocre enough. I don’t like his wife. I suspect her of being
what you in England call a cat, though to me she is amiable enough. I
may possibly have struck terror into her feline heart. When you are in
Rome I want you to go again to the Farnesina Palace, and look at the
Correggio. You know the one I mean?_” The letter ended with talk about
pictures.
Anne read it to the last word, and then sat with it still unfolded
in her lap. Her eyes were fixed on the drooping branches of the beech
under which she sat.
Its leaves were already yellow, and it rose like a fountain of gold
towards the quiet September sky. All round the eaves of the house
the swallows were skimming and crying, in the unrest of an imminent
parting, and the hazy sunshine wrapped the garden in a dream of peace.
Anne too, sat dreaming. Ever since the visit of her friend, earlier in
the summer, her thoughts had developed a tendency to wander back over
the years before their meeting.
To-day it was of her first five years at Fairholme Court that she was
thinking.
She remembered driving up to the house that was now her home.
She remembered walking through the hall into the drawing-room,
distressfully conscious, even through her shyness, of the desecrated
stateliness of a dwelling meant for beauty.
True, she would not in those days have known with what to replace the
gaudy Axminster carpet in the hall, nor the arsenic green curtains at
the drawing-room windows. But little as she had seen, little as she
then knew of material loveliness, the right instinct she possessed for
form and colour was outraged at every turn by the indications at once
trivial and ponderous of Mid-Victorian taste.
As she entered the drawing-room, Mrs. Burbage rose from the sofa on
which she had been lying, a woollen rug of rainbow hues thrown across
her feet.
She was a little old woman with grey, corkscrew curls hanging in
bunches over her ears, keen eyes, and a mouth which combined shrewdness
and suspicion.
She looked Anne up and down with a penetrating glance.
Public-domain text, read in full here on John Shaqi.
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