Man-woman relationships -- Fiction; Older women -- Fiction; Single women -- Fiction; Villages -- England -- Fiction
“Was this the face that launched a thousand ships
And burnt the topless towers of Ilium?
Sweet Helen, make me immortal with a kiss----”
She learnt to know so well that they haunted her thoughts like music,
the sonnets of Shakespeare, and the lyrics of all the “singing birds,”
Lodge and Peele and Nash, Ben Jonson and Campion, who, a musician in
every sense of the word, framed his “Ayres for one voyce with the Lute
or Violl,” so as “to couple words and notes lovingly together.” She
came to Milton, and the lighter poets of the Restoration, of whom her
love was given chiefly to Herrick. The poets of comparatively modern
times followed, and led her in due time to Keats and Shelley, who
revealed to her the modern note of unrest, and the troubling effect
on the human spirit, of beauty, whether revealed as to Keats in the
material world, or as to Shelley in the intangible world of ideas. With
these two poets, the library, formed in her old friend’s youth, paused
abruptly in its representations of English poetry.
Anne found no volume of Browning, nor of Tennyson, on the shelves.
In her friend’s day they were young, untried men, as in a still
greater degree, were Swinburne, Morris, and Meredith.
But without them, Anne, like Keats, had travelled in the realms of
gold, and the new planet that swam into her ken was the very world in
which for thirty years she had lived blind and a prisoner, ignorant of
its beauty, deaf to its calling voices.
It was of her five years of solitary reading that Anne was thinking as
she sat in the September sunshine with François’s letter open on her
lap.
She had read, she had thought. Imaginatively, she had entered into the
life of the great world outside her country home.
But of actual individual experience of one personal heart-beat, known
to thousands of men and women past and present, she was as ignorant at
thirty-five as she had been all through her quiet existence.
Like the Lady of Shalott, she sat weaving her tapestry of dreams before
a magic mirror in which the pageant of the world was nothing but a
reflection; a shadow-dance of figures, loving, hating, struggling;
pursuing brave adventures, triumphing or defeated, hopeful or
despairing.
Miss Page folded her letter, and replaced it slowly in its envelope.
It was the day for her class of village children, whom she taught to
sew, and to whom, while they wrestled with long seams, she read fairy
tales.
There was tea in the garden afterwards, and she had forgotten to tell
Burks to put out the strawberry jam.
She rose, and went into the house to repair the omission.
VII
“We shall have a very dull winter,” complained Mrs. Carfax, “with so
many of you away. Sylvia and Mrs. Dakin have gone already, and now you
are going to desert us. We shall feel quite lost.”
It was a damp afternoon in mid-October, and the wood-fire in Miss
Page’s drawing-room glowed cheerfully.
Public-domain text, read in full here on John Shaqi.
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