Man-woman relationships -- Fiction; Older women -- Fiction; Single women -- Fiction; Villages -- England -- Fiction
“But what is she going to do with it? I would never consent to a child
of mine singing in public, with her name in newspapers, and on placards
and all that! It would break my heart.”
“Still you needn’t think of the future yet, need you? She has years of
training before her.”
“But if she’s not going to do anything with it, what a waste of money!”
exclaimed Mrs. Carfax, tragically. “I think it’s much better for girls
not to have gifts,” she added.
Miss Page was rather disposed to consider that her guest had uttered a
great truth.
Her reply however, was non-committal.
“Perhaps,” she said. “But if they _do_ possess them don’t you agree
with Mr. Carfax that it’s right to cultivate them? A gift of any sort
is such a worrying thing,” she added persuasively. “And if it’s allowed
to rust, it chiefly worries its possessor. Now that she’s doing what
she was born to do, Sylvia will be contented. I _don’t_ think it’s just
because she’s getting her own way that she’s happy. It’s deeper than
that. She’s satisfied because she’s fulfilling a need of her nature for
which she’s no more responsible than she is for the colour of her very
pretty eyes.”
Anne’s voice was so gentle, her smile so irresistible, that Mrs. Carfax
was visibly softened.
“At any rate I’m glad it’s not art she’s got a taste for,” she conceded.
To Mrs. Carfax, painting, to the exclusion of all the other activities
of the Muses, was art, as Miss Page understood.
“You wouldn’t like her to paint?”
“Oh landscapes and flowers, and that sort of thing is all right. A very
nice amusement. I’ve got lots of water-colour sketches I did as a girl,
and hand-painted screens, and sofa cushions too. But nowadays art is
such a shocking thing, isn’t it? I hear that Susie Villiers draws from
the nude, as they call it. To me, it’s a perfectly disgusting idea.
And they draw _men_, as well as women. Imagine a young girl having the
boldness to draw a man without his clothes!”
“Do have some of this toast before it gets cold,” urged Anne. “Oh!
while I think of it I wish you would tell me how to make that delicious
shortbread I tasted the last time I came to you.”
Mrs. Carfax, adroitly switched off the topic of art as she understood
it, was on firm ground now that culinary operations held the
conversational field.
She gave minute directions to which her friend listened with flattering
attention.
“I must write that down before I forget it,” said Anne, opening a
bureau to take from it her book of recipes.
Public-domain text, read in full here on John Shaqi.
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