From among the drifting souls that swarmed about her, Annette's eyes, her distrait eyes that unsuspectedly surveyed them all, had finally made their choice. But they had not admitted it. As long as possible she tried to preserve the illusion of continued hesitation. When one no longer needs to make a decision, then it is sweet to murmur to oneself, "I am not bound as yet," and to leave the doors of hope wide open for the last time. There were two in particular between whom she liked to leave her future in the balance, although she knew perfectly well which one she had chosen; two young men between twenty-eight and thirty: Marcel Franck and Roger Brissot. Both belonged to the comfortably situated middle class, and were distinguished in manner, pleasant and intelligent, but possessed of minds and characters of different orders. Marcel Franck, of a half-Jewish family, was one of those charming types that are sometimes produced by the mixed marriage of well chosen individuals of two races. Of medium height, slim, graceful and elegant, he had blue eyes set in a dead white face, a slightly curved nose, a small fair beard, and an elongated, somewhat horsey profile that recalled Alfred de Musset. His glance was intelligent and caressing, by turns coaxing and impudent. His father, a rich cloth merchant, cautious in business and strong in his passions, who had a taste for the new art, patronized the young reviews, bought Van Goghs and Rousseaus, had married a beautiful Toulousaine, who had won the second prize in comedy at the Conservatory, and who for a time had been the rage at Antoine's and Porel's. This lady, first taken by assault, and thereafter in lawful wedlock, by the vigorous Jonas Franck, had abandoned the stage in the midst of her success, to maintain intelligently, along with her husband's affairs, a literary salon much frequented by artists. This most united household, neither member of which, by tacit accord, looked too closely into the other's conduct, and each of whom knew how to handle gossip, had brought up a single son in an atmosphere of tolerant and sharpened intelligence. At home Marcel Franck had learned that there is a harmony of work and pleasure, and that the art of life depends upon their wise union. He cultivated this art no less than the others, in which he had become a discerning connoisseur. Attracted to the national museums he had made a precocious reputation as a writer on art. Quite as well as pictures, he knew how to observe living figures with his idle, penetrating, insolent, indulgent glance. And among the young men who were courting Annette, it was he who read her best. She was quite aware of it. Sometimes as she was emerging from one of those absent-minded reveries, during a conversation in which she was following every other thought but the one she was uttering, she would meet his curious eyes that seemed to say to her: "Annette, I see you naked."