Anno Domini 2071: Translated from the Dutch Original — John Shaqi
Anno Domini 2071: Translated from the Dutch OriginalHarting, Pieter
Science
Anno Domini 2071: Translated from the Dutch Original
Harting, Pieter
Prophecies; Utopias
Arrived at my hotel, I was at once struck with its extreme quietness,
more so as the apartments were all but taken by some thousands of
travellers. The cause of this, however, I soon discovered on entering
the elegant and spacious conversation room. Methought I heard a kind
of music, feeble, yet melodious in the extreme. The sound approached
as near as possible that of the human voice; but still the quality
was altogether different. Besides, no artist, male or female, was to
be seen in the room. The only clue that I could get to the mystery
was through a box of small dimensions; this instrument was placed
on a table right in the centre of the room, and thence the sound
appeared to proceed. Taking the affair to be an ordinary musical-box,
worked in the usual way, I gazed with no little contempt and surprise
upon the crowd of serious-looking, enthusiastic men and women who had
clustered round the table. As soon as the music ceased, I ventured to
approach the spectators, at the same time asking one among the crowd
for some information with regard to the musical instrument in which
they all seemed to be so much interested.
Oh the number of pairs of eyes that stared at me, full of amazement,
if not of indignation! At last one of the enthusiasts condescended to
break the silence, "What, sir, a musical instrument! where did you
ever know such tones to proceed from a musical instrument? Surely,
sir, as a gentleman you must have heard of the telephon?"
I now remembered that a machine bearing that name, and answering that
description, had been invented as far back as 1861 by a certain Reis;
also that it was based upon the following law, as discovered and laid
down by Page; namely, that when an electric current passes through
a wire coiled round an iron bar, and the current is continually
interrupted, there arises a sound or a tone, the height or depth
of which is entirely dependent on the number of vibrations produced
by the interruptions of the current, according to their succeeding
each other with more or less velocity. This recurring to my mind, I
now replied that the telephon was indeed not quite unfamiliar to me,
in proof of which I went back to the history of its first invention; I
also gave a description of Reis' little instrument, by which the sound
of the human voice could be transmitted through very great distances;
and finally, I added my surmise or natural conviction that such an
instrument must have been considerably improved upon in the course
of more than two centuries. [10] I was happy to notice the excellent
impression visibly produced by my words; there now arose a tolerably
general murmur of "whoever now would have taken the telephon to be
so old an affair?" As for me, I was complimented on my antiquarian
knowledge, and, thanks to the amiable disposition of the visitors
towards me, I was not long in discovering what had been going on. That
which every one now was so anxious to explain to me amounted, in a few
words, to this.
Public-domain text, read in full here on John Shaqi.
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