clear-brown and understanding, and a little bit wood-wild. Not
self-conscious--like the English girl at that age--fond of work and
play; with what is called "a good head" on her, and a warm heart. A
real woman of France.
Then there is the "farmeress" at the home farm which gives the hospital
its milk; a splendid, grey-eyed creature, doing the work of her husband
who is at the front, with a little girl and boy rounder and rosier than
anything you ever saw; and a small, one-eyed brother-in-law who drinks.
My God, he drinks! Any day you go into the town to do hospital
commissions you may see the hospital donkey-cart with the charming grey
donkey outside the Café de l'Univers or what not, and know that Charles
is within. He beguiles our _poilus_, and they take little beguiling.
Wine is too plentiful in France. The sun in the wines of France quickens
and cheers the blood in the veins of France. But the gift of wine is
abused. One may see a poster which says--with what truth I know
not--that drink has cost France more than the Franco-Prussian War.
French drunkenness is not so sottish as our beer-and-whiskey-fuddled
variety, but it is not pleasant to see, and mars a fair land.
What a fair land! I never before grasped the charm of French colouring;
the pinkish-yellow of the pan-tiled roofs, the lavender-grey or dim
green of the shutters, the self-respecting shapes and flatness of the
houses, unworried by wriggling ornamentation or lines coming up in
order that they may go down again; the universal plane trees with their
variegated trunks and dancing lightness--nothing more charming than
plane trees in winter, their delicate twigs and little brown balls
shaking against the clear pale skies, and in summer nothing more green
and beautiful than their sun-flecked shade. Each country has its special
genius of colouring--best displayed in winter. To characterise such
genius by a word or two is hopeless; but one might say the genius of
Spain is brown; of Ireland green; of England chalky blue-green; of Egypt
shimmering sandstone. For France amethystine feebly expresses the
sensation; the blend is subtle, stimulating, rarefied--at all events in
the centre and south. Walk into an English village, however
beautiful--and many are very beautiful--you will not get the peculiar
sharp spiritual sensation which will come on you entering some little
French village or town--the sensation one has looking at a picture by
Francesca. The blue wood-smoke, the pinkish tiles, the grey shutters,
the grey-brown plane trees, the pale blue sky, the yellowish houses, and
above all the clean forms and the clear air. I shall never forget one
late afternoon rushing home in the car from some commission. The setting
sun had just broken through after a misty day, the mountains were
illumined with purple and rose-madder, and snow-tipped against the blue
sky, a wonderful wistaria blue drifted smoke-like about the valley; and
the tall trees--poplars and cypresses--stood like spires.
Public-domain text, read in full here on John Shaqi.
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